Now it turns out that her condition has not improved sufficiently to continue the tour at all. Her plan to resume in San Francisco tomorrow night was derailed by bad news from a consultation with an otolaryngologist in Los Angeles. We wish her the best for a quick recovery.
It might not be officially “summer” until June 21, but that’s not stopping us from starting our 2011 Song of the Summer Countdown. All day today, we’ll be highlighting Song of the Summer contenders as chosen by people who not only work here, but those that live and breathe music. Up first, we’ve got three picks from Jim Shearer, host of the VH1 Top 20 Video Countdown, which airs each and every Saturday morning. Agree? Disagree? Let us know in the comments!
NOMINATION:Beastie Boys feat. Santigold, “Don?t Play No Game That I Can?t Win? EXPLANATION: To the naked ear it sounds like a Santigold song featuring the Beastie Boys, but don?t be fooled. When MCA, Mike D, and Ad-Rock were crafting the instrumental for this beachside-reggae delight, they were having trouble piecing it into a proper song until they got on the bat-phone and rang Santigold. ?Don?t Play No Game? is pop enough for mainstream radio, but will Katy Perry, Beyoncé, and Ke$ha fans open their ears to listen?
According to the calendar, until the Summer Solstice occurs on June 21, we’re still firmly in the grasp of Spring. That said, pretty much everyone we know considers “summertime” to be the period of time between Memorial Day and Labor Day. To wit, this past weekend millions of Americans broke out their barbeque grills, removed their sandals from storage, and spent the long weekend soaking up the sunshine with family and friends for the first time since last summer (and, if the temperatures here in NYC were any indication, it sure as hell felt like summer with temperatures hovering in the low 90s).
One of our favorite parts about the summertime is the way that music takes on an even more omnipresent role in all of our lives. Sure, we all listen to music year-round, but during the winter months, music is generally something you only experience either inside or through earbuds. Once the summertime rolls around, though, suddenly you start hearing music blasting EVERYWHERE: rattling out from car speakers, blaring from boomboxes while you’re lounging poolside, emanating from an iPod dock when you’re chilling in the park enjoying a picnic, and even crackling through old transistor radios while you’re camping in the woods.
And each year, one song emerges from the pack to stand out as that year’s Song of the Summer. It’s not generally a title that is officially anointed by any governing board, but we here at VH1 wanted to put a little science behind the emotion that these Songs of Summer convey.
Hence, we’re excited to announce that we here at VH1 will be tracking this year’s Song of the Summer from now until Labor Day. So, you’re no doubt wondering, what artist has the lead out of the gate: Lady Gaga? Adele? Bruno Mars? Continue along to find out…
The Lonely Island‘s Turtleneck and Chain came closest, at #3, but none of this past week’s album releases posed a real challenge to the continued chart dominance of Adele. Her 21 is #1 for the eighth of its twelve weeks on the chart, thanks in part to the continued success of “Rolling in the Deep,” which itself finally hit #1 on the Hot 100 last week after 17 weeks climbing the chart. Not even Lady Gaga‘s “Edge of Glory” (in at #2) could topple it this week. In its second chart week, Now 38 also outsold Turtleneck and Chain. Christina Perri‘s and Tyler, the Creator‘s debut LPs round out the top five.
Aside from the one-two punch of Adele and Lady Gaga, the top of the singles chart is mostly full of songs that have peaked but remain popular (excepting Pitbull‘s “Give Me Everything” and the Black Eyed Peas‘ “Just Can’t Get Enough”). And the two women are likely to continue to battle for the top of the chart, especially once Born This Way is released. So the bump in digital sales that has temporarily boosted the industry is largely due to the success of female artists, as Chris Molanphyexplained last week for the Village Voice‘s Sound of the City blog.
You Oughta Know artists The Civil Wars may not have been hand-selected by Adele to open her United States shows, but they’ve wasted no time winning her over. The chart-topping British singer gushed about the duo on her blog: “If you’re coming to any of the shows on this trip make sure you get there early to see them. I’ve never been so blown away.” She joins fellow superfan Taylor Swift, who has tweeted about the band, seen them live, and included “Poison and Wine” (also Adele’s favorite track) in a playlist for iTunes.
We’re always excited when a You Oughta Know artist comes to our offices and performs an exclusive You Oughta Know Live set, but The Civil Wars particularly enthralled the room (even if the “room” was our lobby). Before they took the impromptu stage, the audience was more hesitant than usual, largely hanging by the elevators or against the back wall.
But the instant they launched their their four-song set with their single “Barton Hollow,” the band’s presence drew in the crowd; Joy Williams and John Paul White are almost instinctual performers. Williams in particular accentuated her vocals by gesturing and dancing, and when, on “Poison & Wine” (“the loud version,” as White called it), she was behind the keyboard, the two locked eyes, not only to “perform” the doomed love of the song but also as a substitute for any rhythmic accompaniment besides White’s strumming (which also allowed them to end on a rather long shared note). These two belong on a stage. No wonder they scored opening gigs for Adele next month.
The Soundscan numbers are in, and though sales of Adele‘s sophomore album 21 aren’t slowing, the Foo Fighters‘ new album Wasting Light sold stronger, taking the top spot on the Billboard 200 this week.
Does this mark a loss of interest in Adele’s record? Not necessarily. Read more…
This Saturday, April 16, Record Store Day celebrates four years of promoting brick and mortar, non-corporate-owned music sellers. Since 2008, an increasing number of artists on both independent and major labels have concocted exclusive releases and recordings and made them available for sale only through independent record stores on the third Saturday of April, as a means of helping them continue to survive in today’s complex retail landscape (dominated by big box stores and digital downloads). In conjunction, many shops host in-store performances or giveaways. There’s always a good reason to visit your favorite local independent record store, but Record Store Day’s exclusives and artist appearances provide a hefty additional incentive.
Ten-year-old Connie Talbot’s YouTube cover of Adele‘s “Someone Like You” has gone bonkers viral today. Generally speaking, that’s because it’s stunning, especially once it hits the chorus.
But the video is also a perfect storm of viral ingredients, particularly for British audiences. For one, it’s Adele. Of course, we love the You Oughta Know artist here at VH1, but in the U.K., they really love her: her sophomore album 21 has been sitting pretty at the top of the British charts since it came out over two months ago, and furthermore, her 2008 debut 19 jumped back onto the chart late last year and is now holding down the #2 spot, just to prevent anyone else from charting above #3 (although Britney might sneak into #2 this week).