by (@unclegrambo)

Was Seal, Um, “Clubbing” Himself On Australia’s The Voice?

It’s been an especially dirty day here on VH1 Tuner and for that we apologize. First, we had Brian McKnight singing about his desire to show women how their holiest of holies work (!!!), and now comes this little piece of potential nastiness.

So, while Adam Levine, Christina Aguilera, Cee Lo Green and Blake Shelton are moonlighting as judges on the U.S. version of The Voice, it seems as if Seal is doing the same thing for the Australian Voice. During a recent episode of the show, Seal was caught on camera REALLY enjoying a female contestant performing of Adele‘s “Don’t You Remember?” Talk about a future love paradise! Now, we have no idea if Seal was actually clubbing his seal —if you get our meaning— but watch the video above and tell us what you think he’s doing.

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by (@unclegrambo)

What Album Has Sold The Most Copies In The Last 10 Years? (Hint: It’s Not Adele)

Everyone knows that the years 2000-2010 were not very good for the music industry. Thanks to a perfect storm of rapid technological shifts, widespread piracy, consumer apathy, and executive ineptitude, the industry suffered through a slump that nearly killed off the entire business model. That is, until Adele came along!

We’re being slightly facetious, but Adele is credited by many as having (temporarily) saved the music business. Her landmark album, 21, just sold its 8 millionth copy here in the United States, making it the 4th most successful album to be released on these shores in the last 10 years. Care to venture any guesses as to the two artists who have sold more copies of their respective albums than her? If you find yourself either stumped or looking for validation, we’ve got the Top 10 Selling Albums of the Last 10 Years for you below.

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by (@kat_george)

The Boss’s Wrecking Ball Dethrones Adele For Number One Spot On The Charts

Well. It’s happened. The thing we thought might never happen: Adele‘s 21 has been knocked off the top of the Billboard chart. Sure, there’s every likelihood she’ll reclaim the throne but for now, it’s The Boss who is king. 21 has been number one for 23 weeks, but, somewhat aptly, has been smashed off the top by a Wrecking Ball. Bruce Springsteen‘s new album, after a shaky start and only 196,000 copies sold in the first week, has managed to oust Adele from what seemed like a never ending reign. If Adele wants to get back on top next week, her sales will have to outstrip new releases including The Shins’ Port of Morrow, One Direction’s Up All Night, and The Hunger Games soundtrack (which might be a hard one to beat given the prolonged hype surrounding the movie).

The Queen Is Dead: Bruce Over Adele On Billboard Charts [Pop Dust]

[Photos: Getty Images]

by (@kat_george)

Why Sade Is Earning More Than Adele In The US

On Monday we reported Billboard’s top music earners of 2011, and there were more than a few surprises. One in particular was Adele coming in at number 10 — which The Guardian has also pinpointed as a notable occurrence, given that 80s-90s star Sade came in at number 6, making her England’s biggest music export to the US. And all this despite Adele’s staggering US chart success and multiple Grammy wins. The Guardian says, “What’s really surprising is that the No 1 British act in America isn’t Elton John or Paul McCartney or any of those obvious British behemoths abroad (although Irish band U2 did come in higher and Coldplay haven’t released anything recently). Nor is it a young stealth interloper such as Mumford & Sons. It is, in fact, Sade, who many of you will have forgotten decades ago.”

Sade made a comeback in 2010, including new album, greatest hits album and a tour, and for one reason or another — The Guardian cites Sade’s culturally ambiguous looks and the “sophistication” her music embodies — the soulful singer found a huge following in the US, which incidentally also dwarfed her comeback in the UK. The Guardian points to Billboard’s ominous opinion of Sade’s comeback, “It’s been 10 years since Sade released an album, but be forewarned – the giant has awoken.” Indeed, last year Sade made $16.4 million from combined album and ticket sales, while Adele’s sales, especially in the tour sector, were hampered by her throat surgery and late-year commitment cancellations.

The Guardian opines on Sade’s success, and throws her up as the antithesis of Adele; “The music industry still talks in hallowed tones about “cracking America”, something Adele has done with huge impact, but when Sade did it, she wasn’t so obviously British. She didn’t court the chatshow circuit with a gobby accent in the way that Adele does, so her speaking voice went largely unheard.” The publication quotes journalist Paul Simper who agrees, “Her Englishness was never a selling point. CBS just wanted to sign her and build her up to be somebody like Whitney, get her a professional studio band, but she resolutely stuck to her guns and stayed with the band from London she’d always had. And she still has – she’s always done it on her terms. Being successful in America didn’t involve any compromise or sounding any more American; her sound was always the same throughout.” Ineed, Sade has been a surprising alternative to Adele — and an unexpected candidate to usurp her throne as America’s favorite Brit.

Why Sade Is Biggest In The Us Than Adele [The Guardian]

[Photos: Getty Images]

by (@kat_george)

Last Lap: Adele And Daft Punk Get Mashed Together For “Something About The Fire”

Adele And Daft Punk Get Mashed Together For “Something About The Fire”
We cringed when we first caught wind of this. But when we finally listened to the mash up that features Adele‘s “Set Fire To The Rain” and Daft Punk‘s “Something About Us” we felt ashamed of our initial skepticism — this actually might be our new favorite song. [Prefix]

There Might Be An Album Of Unreleased Material By Aaliyah On The Way
While the late legend Aaliyah‘s brother says there’s no “official” album on the way, producer Jeffey “J. Dub” Walker Tweeted, “Just got great news today; the smash unreleased song called ‘Steady Ground’ I produced on #Aaliyah is gonna be on her upcoming album:)”. We’ve got all our fingers, toes, and other crossable parts crossed that we’ll be hearing some previously unheard Aaliyah music this year. [Idolator]

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by (@kat_george)

How “Realwave” Is Taking Over Music Courtesy Of Ed Sheeran’s Performance At The Brit Awards

There’s no doubt that 2011 was the year of the “doof doof”. From the rise of David Guetta and LMFAO to the euro-club beats adopted in an overwhelming majority pop songs from Rihanna‘s “We Found Love” to Britney Spears‘ “I Wanna Go”, there was no avoiding the thudding sound of the sub woofer and all the manic, Ibiza-esque dance-party vibes that went with it. But if you abide by the laws of physics, you’ll know that for all actions, there is an equal and opposing reaction — and we can see the specter of antithesis looming for 2012. While last year saw an almost completely unblemished carpet of techno beats upholster the music landscape, 2012 looks set to tear that carpet up and replace it with raw wood.

We’re talking about the new guard, a genre of new artists we’ve dubbed “realwave” (thanks to Carles for giving us the ability to invent genres with the simple suffix “wave”), who have been lurking on the sidelines but still managing to make some noise despite the deafening reverberations around them. It began with the ascent of Adele, Mumford & Sons and Bon Iver — artists, who are, for all intents and purposes, artists. In 2011, these artists represented “authenticity,” or the ability to make music that was not only chart topping and relateable, but that also relied on the strength of songwriting, real instruments and organic talent. Yep, that means no auto-tuned voices, synthetic bass lines or garish costuming.

From Adele’s beautiful, heartfelt lyricism and emotive live vocal to Mumford & Sons’ rootsy instrumentals and Bon Iver’s gently experimental, dynamic sound, these artists have provided a much needed sanctuary from banging beats and flashing lights. And perhaps now, after we’ve worn the soles of our dancing shoes right into our heels, we’re actively seeking more realwave. We went to the party, sure, and we had the time of our lives, but it’s morning now, the sun is shining through the cracks in the curtains, our heads are splitting and we’re groping at the bedside table for Advil and Gatorade.
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by (@kat_george)

The Olympics Closing Ceremony Will Be An “Elegant Mashup Of British Music” From Elgar To Adele

Hype is building around the 2012 London Olympics, especially since it was reported that iconic Brit Pop band Blur will be headlining a concert in Hyde Park to celebrate the closing ceremony. Now details about the actual closing ceremony are beginning to circulate, and excitement and speculation abound as the theme is revealed: “A Symphony Of British Music”. Stephen Daldry, executive producer of the Olympic and Paralympic opening and closing ceremonies says, “It is, in a sense, the soundtrack of our lives,” while Kim Gavin, the ceremony’s artistic director says it will be an “elegant mashup of British music.”

Music director David Arnold says, the “mashup” will include everyone from “Elgar to Adele,” but does not confirm whether or not the Grammy award winning star will actually perform (although we’d put money on yes). Other rumored performers include The Rolling Stones, Paul McCartney and the Spice Girls, and for a country with such a rich pop history and a decidedly artful taste for celebration, we can’t wait to see what the closing ceremony will reveal.

The 2012 London Olympics begin on July 27th, and close on August 12th.

Olympics Closing Ceremony to Be a ‘Symphony’ of All Things British [Billboard]

[Photos: Getty Images]

by (@kat_george)

Last Lap: Beef Alert! Kreayshawn Disses Lana Del Rey Then, Ummm, Poops In Front Of A Reporter!?!

Beef Alert! Kreayshawn Disses Lana Del Rey Then Does A Poop
Kreayshawn knows how to get everyone talking about her again — diss the hottest music act of the moment, Lana Del Rey, then poop semi-infront of a reporter. Click the link at your own peril, but don’t say we didn’t warn you. [Complex]

Lily Allen Speaks Up About Adele’s Brits Acceptance Speech Being Cut Off
We miss the days when Lily Allen had a whole lot of stuff to say. Talking about Adele’s controversially cut short Brit Awards acceptance speech, Allen said “I’d rather hear Adele’s acceptance speech… I can’t say I’m surprised. It was like the music industry’s attitude to women played out as a metaphor.” [NME]

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by (@kat_george)

Adele’s 21 And Katy Perry’s “Part Of Me” Top The Charts Post-Grammys

Let’s hear it for the girls! Adele and Katy Perry are topping the Billboard charts post Grammys, rolling over their historical successes from 2011 into what looks to be an equally successful 2012 for both young women. Katy Perry’s new single from Teenage Dream: The Complete Confection, “Part Of Me”, which she performed for the first time live at the Grammys, debuted at number one on the Billboard Hot 100 — making it the 20th number one entry in the chart’s 53-year life. How’s that for sticking it to the man? The last artist to debut at number one was Lady Gaga with “Born This Way,” which followed last year’s Grammys where she performed the hit, adding some pretty hefty weight to the importance of being able to grace that illustrious stage for performers. Unfortunately for Katy however, singles from The Complete Confection will not count to her record for number one singles from Teenage Dream — so she’ll remain tied with Michael Jackson at a legendary 5 number one songs from the same album. On the bright side, “Part Of Me” sold 411,000 downloads, marking Perry’s best sales week to date in her career.

As for Adele, it doesn’t look like the reign of 21 is ending any time soon. After picking up six Grammys last week, Adele’s “Set Fire To The Rain” follows “Part Of Me” at number two on the Hot 100 chart, with “Rolling In The Deep” jumping back up to number five and “Someone Like You” at number seven, making her the first woman in history to place three songs in the top 10 as the lead artist. But it doesn’t stop there for Adele — over on the Billboard 200 chart, 21 is still breaking records with it’s 21st (ha!) nonconsecutive week on top. Usurping the late Whitney Houston‘s throne, Adele now has the record for the longest held number one album spot for a female performer. The numbers tell a very vivid story — that for Adele, it definitely isn’t over, she won’t stay away, and we can’t fight it (not that we’d want to).

Katy Perry’s ‘Part of Me’ Debuts Atop Hot 100 [Billboard] Katy Perry to Release ‘Teenage Dream’ Special Edition in March [Billboard]

by (@kat_george)

Tuned In: Blur Play At The Brits But Not Before Adele Flips The Bird On Live Television

Adele got caught up in her very own M.I.A. moment at the Brits last night when she gave everyone the bird on live television. After winning album of the year, an emotional Adele, obviously composing herself and fighting tears, began a heartfelt, humble acceptance speech in which she expressed her pride at “coming home with six Grammys,” and “being British and flying our flag.” But almost as soon as she began her rousing speech, she was cut short by presenter James Corden who seemed to follow his direction to cut her off rather reluctantly. As Corden welcomed Blur to the stage, Adele expressed her frustration with a very clear gesture, flipping a giant bird at the room. But unlike M.I.A. who made her apologies, Adele had nothing to apologize for, and instead it was ITV and the Brit Awards apologizing to her.

Adele did clarify that her middle finger was for “The suits, not the fans,” and she was “Sorry if I offended anyone but the suits offended me.” ITV came back with a statement saying, “The Brits is a live event. Unfortunately the programme was over-running and we had to move on. We would like to apologise to Adele for the interruption,” while a spokesperson for the Brit Awards said, “We regret this happened and we send our deepest apologies to Adele that her big moment was cut short this evening due to the live show over-running. We don’t want this to undermine her incredible achievement in winning our night’s biggest award. It tops off what’s been an incredible year for her.” Corden was equally horrified and said, “I just feel bad about having to cut Adele off. I really don’t understand quite why I was made to, but it’s not a very nice way to end… She’s the biggest star in the world. I don’t understand what happened but I’m upset about it. Blur played for 11 minutes and she didn’t get a chance to say thank you once.”

Speaking of Blur, the band gave a rousing, five song strong set including the iconic Brit Pop hit “Parklife” (which you can watch after the jump). Damon Albarn looked pretty excited to be there, jumping around the stage like a kid who’d eaten too much sugar. Blur were presented an Outstanding Contribution To Music award, and their closing set proved just why — Brit Pop really is a very Blur-y thing.

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