The competition show talent shuffle continues today, with word that Billie Joe Armstrong has signed on to The Voice as a mentor on Christina Aguilera‘s team. The Grammy winning Green Day frontman explained in a statement accompanying the announcement that he chose The Voice because it is “not molding artists, it’s just giving them a little bit of guidance and direction without giving them a complete makeover.” Which is to say that it is, by his figuring, as close to punk as these sorts of shows come. Aguilera’s not exactly Kathleen Hanna or even Haley Williams, but that’s not really been Armstrong’s thing for a while now, and he assures that the two are having fun together. And if this means more “Longview” on the tube, well, we’ll go ahead and look the other way. Read more…
In the last year, we have seen an explosion of reality singing competitions on the television airwaves. American Idol has, of course, been the most popular show on American television since its premiere ten years ago in June of 2002, but in the last year and change, we’ve seen NBC (The Voice), ABC (Duets) and Fox (The X-Factor) all launch competitors to the veritable Idol institution, to the point where the market for these programs has become totally saturated. Most Americans would be hard pressed to name the most recent winners of any one of these programs, let alone all four, but there’s no denying that reality television has given an incredible career boost for Adam Levine and his bandmates in Maroon 5.
Today sees the release of Maroon 5′s fourth studio album, Overexposed. One of the tracks on the album, “Tickets,” has been generating some Internet buzz as conspiracy theorists have suggested that it’s a diss track directed at Levine’s co-star on The Voice, Christina Aguilera. Lines like “She’s got tickets to her own show/But nobody wants to go” and “You’re perfect on the outside, but nothing at the core” certainly could be interpreted as being very Aguilera-esque, so when we caught up with Adam Levine and guitarist James Valentine at New York City’s Crosby Street Hotel yesterday afternoon, we asked them point blank to shed some light on the story. (See our video above.)
For a minute there we thought Justin Bieber had joined the #moneyteam after this weekend’s Floyd Mayweather vs. Miguel Cotto fight where Biebs was pictured holding Mayweather’s championship belts in the ring. Don’t fret. He may love the #moneyteam, but his performance on last night’s season finale of the “The Voice” proves he’s focused on the music. Before Jermaine Paul was pronounced this season’s winner, the 18-year-old pop heartthrob performed his first Believe single “Boyfriend,” which is soaring on the iTunes charts holding down the No. 4 spot. Read more…
Waka Flocka Flame Plays “Round Of Applause” At Kanye West’s Fashion Week After Party Kanye West is injecting fashion with music, and it looks like Waka Flocka Flame‘s performance of “Round Of Applause” went off at Kanye’s Paris Fashion Week after party. [Prefix]
LCD Soundsystem Release Another Sneak Peek At Their Documentary LCD Soundsystem have released another short trailer for their forthcoming documentary Shut Up And Play The Hits. The clip features the band playing “North American Scum” and James Murphy talking candidly about his age and how it influenced his decision to end the band. [Beats Per Minute]
Drake Is Being Sued Over “Marvin’s Room”
Drake is being sued for royalties by Ericka Lee, his ex-girlfriend and ex-collaborator, who is responsible for the “Are you drunk right now?” part on his song “Marvin’s Room.” Poor Drake, no luck with the ladies! [NME]
Chicago Starts A Soul Train Dance Line To Pay Tribute To Don Cornelius
This is pretty touching, so maybe don’t watch if you tear up easily. In Wicker Park, Chicago, residents hit the streets en masse to pay their respects to the late legend, Don Cornelius, the only way they knew how — with a Soul Train inspired dance line. [Pop Dust]
At the legendary Etta James‘ funeral, Christina Aguilera belted out a spine tingling rendition of “At Last,” which has been part of her live repertoire for a decade. It’s clear how much Aguilera reveres James, and her performance was perfect, both in the range of Christina’s vocal and the touching nature of her Etta James inspired career. Despite the wonderful performance, audiences have chosen instead to focus on a mystery liquid* dripping down Christina’s legs as she sung. We think that whatever it was, it couldn’t have been a comfortable moment for Christina, and that she held her own like the consummate performer that she is, not missing a beat and delivering an emotion filled tribute to her idol.
It’s almost New Year’s Eve, that one, glorious, most hopeful night of the year. It’s also that one night you’re going to party like it’s 1999, so let this week be dedicated to mani-pedis, haircuts, outfit buying, midnight kiss daydreaming, preemptive sleeping and playlist making. When it comes to partying, everyone has a distinctive song, an anthem, if you will — and we’re here to tell you what your New Year’s Eve theme song, that banger you’re going to be cranking at midnight, says about your party style, and what kind of New Year’s Eve you can expect…
Britney Spears – “Til The World Ends”
You’re either a strong believer in Mayan mythology or you just really, really love dancing. Chances are you’re going to be on the dance floor all night — forget about everything else, you just want to dance (until the world ends, heh). We’re going to take a punt and guess that you were going through puberty the first time you heard “… Baby One More Time,” and that Britney just so, like, makes you feel like a teenager again! If you’re anything like us (a Britney stalwart since the start), you’re just completely ecstatic to see Britney get her groove back.
Divas take on divas in this supercut from our old VH1 cohort Rich Juzwiak in which the first ladies of pop music wax lyrical on their contemporaries. From the heartfelt, gushing rants of love and affection by Lady Gaga and Britney Spears over Madonna, to the ambiguous relationship between Whitney Houston and Mariah Carey, to the decidedly more acerbic back-and-forths between Madonna, Janet Jackson, Whitney and Cher, the video spans the gambit of famous diva on diva mouth-offs. As is mentioned several times in the super cut, it’s a shame that female performers are often cast in such a catty light, and often poked and prodded by prying reporters. As Christina Aguilera so sagely points out, “it just sucks that as women we have to deal with that comparison thing that men don’t necessarily have to.” Amen sister. Now can we all just kiss and make up? We’re looking at you Celine!
If you’d like to see divas being friends and doing what they do best — belting out their awesome hits — tune in for VH1′s DIVAS Celebrates Soul premiering Monday, December 19 at 9 p.m. ET/8 CT on VH1.
Demi Lovato began her Unbroken tour last night in Detroit, and in a gossamer gown, sashaying back and forth across the stage before her screaming fans, she let it rip. While Demi didn’t necessarily have moves like Jagger—her performance lacked any sort of dancing other than the occasional sway—she did have the song, covering Maroon 5 and Christina’s Aguilera‘s upbeat number “Moves Like Jagger.” She may not have bought the moves, and the super sweet Disney princess certainly didn’t bring the sexy the way Adam Levine and Christina do, but she did belt it out with her strong, confident vocal, which in our books, totally rocks.
“Moves Like Jagger” is big right now. The Maroon 5/Christina Aguilera collaboration may not have hit #1 quickly enough to prevent Katy Perry from tying the once-untouchable record set by Michael Jackson, but the song has since been topping the charts (not to mention placing well in VH1′s Top 20) for a month?except for the week after the VMAs, when “Someone Like You” briefly unseated it. With the video for that Adele single set to premiere tonight on MTV, the Los Angeles quintet has recruited a guest rapper for an official remix?either in an attempt to hold off Adele on the charts, or maybe just for the heck of it. The guest? Mac Miller. (Hey, Maroon 5 and VH1′s Single Ladies have something in common!) The band premiered the remix via Twitter; it’s available to stream at HipHopDX before it officially hits radio (and iTunes) next week.