Next Wednesday, Sept. 14, the Big 4 Festival will descend upon Yankee Stadium in New York City. The participants will include the ?big four? bands (i.e., pillars, staples, torch bearers, etc.) of thrash metal music: Metallica, Slayer, Megadeth, and Anthrax. Here are some other acts that could pull off a Big 4 Festival of their own:
1) Big 4 of Millennial Pop: Britney Spears, *NSYNC, Christina Aguilera, Backstreet Boys
This past summer, the Backstreet Boys created some buzz when they toured with their boy-band predecessors, New Kids On The Block, as NKOTBSB; but could you imagine the pandemonium they could create by teaming up with late ?90s peer/rival, *NSYNC? The reunions alone would sell tickets on this tour: Justin and *NSYNC, Justin and Britney, Britney and Christina, and three old Mouseketeers back together again.
The Video Music Awards are a celebration of the best music video work that musicians and technical personnel have to offer. They’re also a live event attended by more than a few outsized personalities, all interacting with each other in close proximity. Part of what makes the event so exciting to us is the tension that proximity creates. Sometimes, though, it boils over past professional rivalry into personal beef.
With that in mind, here is a look back at the ten most memorable VMA fights. Will anyone get into it this year? (Pitbull and Lindsay Lohan?) We’ll be tuning in to MTV on Sunday at 9 p.m. to find out.
“Moves Like Jagger” Video Premieres Online
Lots of quick cuts between file footage of Jagger himself, performance clips of Maroon 5 and Christina Aguilera, a number of mostly-female, mostly-scantily-clad Jagger impersonators dancing?was that a boob? This one’s not going to clear our standards board without edits. [YouTube]
Sony Warehouse Packed With Independent Labels’ Stock Burns In North London
One of the many and far-reaching consequences of the civil unrest in the United Kingdom is the effect the destruction of a distribution warehouse will have on the independent labels who housed stock there. A follow-up report by Pitchfork suggests that physical losses will be covered by insurance, but many labels (listed in full in both reports) will simply not have physical stock to sell for the foreseeable future. [The Guardian] Read more…
As we near the end of our celebration of MTV’s 30 birthday, we figured it would be apropos to look back at thirty of the moments that defined the channel. Now, we easily could’ve listed 30,000 reasons why we love our MTV, but we’ll just have to wait until MTV’s 30,000th birthday to publish that list. For now, enjoy this cornucopia of memorable reality shows, groundbreaking music videos, hilarious interviews, jaw-dropping moments of violence, and celebrity beef.
29) “Paint The Mutha Pink”
This memorable promo for a 1984 MTV contest was pegged to the release of John Cougar Mellencamp’s album, Uh Huh, which featured the eighties heartland anthem “Pink Houses.” The grand prize winner received a house in Bloomington, Indiana (Mellencamp’s hometown), which came with a special paint job: Pink.
28) Totally Pauly
Hey buhhh-deeee, don’t go weezin’ all the juice! After landing a gig as a VJ in 1989, Pauly Shore went from being an unknown stand-up to a major motion picture star inside of two years.
NSFW OF THE DAY Lloyd‘s new album King of Hearts dropped on Tuesday, and he’s already got a video for lead single “Cupid,” but today he premiered a new video for “Naked.” Don’t expect this one to play on television, though: it’s just Kamille Leai, aka Hot Wings from Real Chance of Love, being naked for over five minutes of the 5:22 running time. The camera angles keep the clip mostly PG-13-by-technicality, but we are talking about a video in which she takes a bath, and then takes a shower for good measure (before sexting with Lloyd, who doesn’t even appear in the video). If only this video had premiered a week ago! We could have made a good “teaser” pun. [Rap Radar]
Last week on NBC’s The Voice, Maroon 5 premiered “Moves Like Jagger,” a new single featuring Christina Aguilera that creeped its way onto our Song Of The Summer chart this week. The collaboration may have seemed inorganic or (dare we say it) promotional on paper, but on record, the song is certainly on par with the rest of Maroon 5′s catalog. Aguilera now says, in the above interview with Rolling Stone, that she will take her experiences on The Voice into the studio with her when she records her latest album.
From L to R: Javier Colon, Dia Frampton, Vicci Martinez and Beverly McClellan.
Thanks to a combination of high wattage star power and a weakened roster of American Idol candidates, NBC’s The Voice was able to capture the fancy of American television audiences this springtime and delivered huge viewership numbers to its network. Last night, the judges and audience voted to select the show’s four finalists. If you haven’t been watching (or even if you have!), we put together a quick primer for you on who the remaining candidates are and why you should root for them, which you can use to prepare for next week’s finale, airing on Tuesday and Wednesday of next week.
WHO:Javier Colon (Top Left) COACH:Adam Levine SOUNDS LIKE:Brian McKnight WHY YOU SHOULD ROOT FOR HIM: Funny, the reason you should root for him is the same as why some are rooting against him. You see, Javier Colon released two albums —he was simply called Javier at that time— on Capitol Records in the mid-aughts. Some would argue that he never really got a fair shake from his label during those tumultuous years for the industry, while others would say that he’s already got his shot and doesn’t deserve another one.
WHO:Dia Frampton (Top Right) COACH:Blake Shelton SOUNDS LIKE:Vanessa Carlton WHY YOU SHOULD ROOT FOR HER: Much like her competitor Javier Colon, Frampton has a major label background; along with her sister Meg, the two released the album Here, Here, and Here on Sire Records in 2009. They were later dropped by Warner Bros., Sire’s parent company, in July of 2010. Will America give her another chance to make it big?
To usher in the next stage of the Rube Goldberg competition structure on NBC’s The Voice, the show opened with another judge-quartet performance, this time a medley of three of Queen‘s biggest hits. For the myriad sing-alongs the band inspires, Queen is really tough to cover, and unfortunately, it shows a little in this performance. Read more…
Buoyed by an extended onslaught of promotion, the premiere of NBC’s new series The Voicescored big ratings, outranking stiff competition in its two genres: music (Glee) and reality (Dancing with the Stars). The show’s structure is overly complicated (the four judges each recruit a team of eight singers, then train their team for competition against the other judges’ teams), and a few suspense beats that would have worked on series creator Mark Burnett‘s biggest success, Survivor, fell flat, but overall, the show works. So, a quick rundown:
By way of introduction, The Voice‘s four artist/judges performed Gnarls Barkley‘s “Crazy,” with Adam Levine on drums, Blake Shelton on guitar, and Christina Aguilera joining Cee Lo Green on lead vocals. The quartet won’t be forming a super-group anytime soon, but their rendition was polished, and successfully communicated the artists’ willingness and ability to succeed in a variety of musical genres.
The contestants range from rank amateurs to near-professionals: After belting Faith Hill‘s “Breathe,”Tarralyn Ramsey tearfully ad-libbed a few bars of “What a Girl Wants” when she was selected by Aguilera, confessing that she sang along to all of Aguilera’s songs, “even the Spanish ones.” She didn’t mention that in 2003, she won VH1′s Born to Diva competition, performed on Divas Duets, and got a one-record deal with Universal?the same grand prize offered by The Voice.
When Christina Aguilera released her video for “Dirrty” back in 2002, her assless chaps and aggressively sexual come-ons made it patently clear that she had no desire to live out the rest of her career as a cookie-cutter pop star. That overtly adult gamble paid off in spades; not only did her legions of fans stick by her as she matured as both a woman and an artist, but it went a long way towards proving that she could successfully emulate the career path that Madonna chose, trying out different personas as society’s taste in musical styles undulated.
Speaking of Madonna, there are more than a few nods to the Material Girl in Aguilera’s new boundary-pushing (and slightly NSFW) video for “Not Myself Tonight,” the first single off her highly anticipated Bionic LP. Over a club-friendly bed of pounding Polow da Don synths, Aguilera brandishes S&M fetish gear (whips, diamond-studded crotch flaps, leather masks!) in a way that recalls Madge’s “Human Nature” video. At other points, she leads a bevy of shirtless hunks in a series of vaguely militaristic series of dance moves that pay homage to “Express Yourself” (by way of the rain-soaked finale of Step Up 2: The Streets). Oh, and while we’re cataloging some of this video’s influences, we’d be remiss if we didn’t point out Christina and director Hype Williams’s visual shout-out to George Michael and his landmark “Freedom 90″ video.
So, we want to hear your thoughts. What do you think of this video? How do you feel about Christina’s new musical direction? Are you going to be blasting this from your car radio all summer long? And don’t forget, if this song (or any of her others) serves to inspire you, we encourage you to share your story over on our VH1 Storytellers site.