This should settle any questions you have as to Rihanna’s ability to command an evening, because she sure didn’t let her lack of wings keep her from being “Phresh Out The Runway” at Victoria’s Secret Fashion Show. Performing the eardrum-alteringUnapologetic cut in a sheer pink slip and white sweater wrapped around her waist, and sassing the girls as they passed her by — “I see you walk!” — before taking a turn of her own playing model, stomping down to the end where she sealed her performance with a kiss.
But the best part of the whole video is when the camera cuts to backstage where the Angels and Justin Bieber were looking on, mouths agape because, boy — what’s swaggy when you can be so phresh like this? Seriously, forget the models and miniscule outfits they were fitted in, Rihanna stole the show. And it seems safe to assume she’s not sorry.
It’s not due to hit shelves until next week, but Bruno Mars can’t bear to make you wait another day, and so he has made his much-anticipated sophomore effort, Unorthodox Jukebox, available for stream. In full, and right now! And on a nifty virtual jukebox, no less. No quarters necessary, just turn up the volume.
In anticipation of it’s December 11th release, Bruno Mars has been leaking one song at a time off of Unorthodox Jukebox. So far what we’ve heard has been diverse — “Young Girls”‘s doo-woop, “Moonshine” with it’s 80′s sheen and his Sting-cribbing “Locked Out Of Heaven” so far included — but generally joyous. This latest song is different in that it catches Mars at his most mournful and with his head hung low, and he was so nervous to share that he prefaced it with a tweet admitting that “I’ve never been this nervous. Can’t explain it.” The song is (of course!) pretty good and so he won’t have to, but we can definitely imagine the nerve it must take to let a song so raw and regretful as this out into the world. Read more…
Where’s that “Umbrella” when you need it? Miraculously still on her feet after her whirlwind 777 Tour, Rihanna turned up on The X-Factor UK for a rather damp performance. Things began simple, the stage dark save for a glowing Rihanna in a curve hugging black gown and it seemed like she was going to play it straight and just sing. But then she made it rain, and not metaphorically, like she does in Unapologetic‘s dark strip club anthem “Pour It Up” — we’re talking literal raindrops falling from somewhere high above the X-Factor stage that left her dripping wet. She’s not the kind of girl that let’s a little mess slow her down though, and she belted her chart topper straight through to the end before breaking to wring her hair out.
“Moonshine,” the latest song to leak off Bruno Mars‘ Unorthodox Jukebox, which is out December 11th, comes complete with disco drums and a trendy, YOLO-style “We are not afraid to die young and live fast” interlude. And like he did with Sting for “Locked Out Of Heaven” and with doo-wop for “Young Girls,” “Moonshine” finds Mars grooving on the vibes of a musical god past: Michael Jackson.
“You’re the best way I know to escape the extraordinary,” Mars croons, before pivoting to seek a favor of the lunar gods: “Moonshine, you lovin’ makes me come alive/Take us to that special place/ That place we went last time.” Between this and Rihanna‘s “Diamonds,” ’tis the season for moonshine magic.
Few movies in recent memory have been so good at integrating popular music into their soundtracks as the Twilight saga has been. The soundtracks — complete with up-and-comers like Sea Wolf as well as old pro’s like Thom Yorke — have true and through become a part of the vampire love story that has so gripped America’s teenagers (and, you know, us) by the heart. And so with the Saga drawing to a close tonight, we thought we would revisit some of our favorite musical moments from throughout the series.
We dug this new Unorthodox Jukebox cut as Bruno Marsperformed it onSaturday Night Live. He stripped the band down to not much more than keys and a few back-up singers, and then he sang so hard that sweat began to bead on his forehead. It was languid and emotional and convincing — Bruno Mars, so teased and tormented by those titular “Young Girls” that his neck muscles flex just singing about them. It was a great performance, but because he can’t press that sweat and blood into the actual album, he had to mix things up a bit for this newly released studio version. And to no one’s surprise, we like this version just as much.
It’s much more lively, backed by a thumping 808 drum and a twinkle of snyth, probably because it’s meant to open the album. And in that same vein, it makes for an interesting declaration of intent for Mars. A few beats before the chorus hits, he’s joined by a Frankie Lymon & The Teenagers-style doo-wop harmony, but only for those few beats before they get zapped away by a coil of synth so that the chorus can really soar. It’s where his obsession with all things retro meets his perfectly contemporary sound, and it’s probably the part that will make those bright-eyed honeys go wild, too. Read more…
Bruno Mars put in extra-overtime on Saturday Night Live over the weekend, hosting and performing. Mars isn’t the first to pull this double duty — Taylor Swift, Mick Jagger and Justin Timberlake, in most recent memory — but he may have been the first to host, perform and to still have the energy to debut a brand new song all in the same episode. How’s that for efficiency?
The new Unorthodox Jukebox cut Mars performed is called “Young Wild Girls,” an emotional ballad about the bad girls that Mars just can’t quit. “Oh you young wild girls, you make a mess of me,” goes the hook. And then when the camera gets close, you can see the strain of the veins in his neck and the sweat beginning to bead on his forehead because this love for these young wild girls is nothing short of dire: “Yeah you young wild girls, you’ll be the death of me.”
Earlier this month, Bruno Mars dropped “Locked Out Of Heaven” and gave us just a little taste of what might be so unorthodox about his much-anticipated sophomore album Unorthodox Jukebox. The catchy first single just oozed Police, something we haven’t exactly come to expect from the former Elvis impersonator and “Grenade” thrower, but Mars’ Sting turned out to be so good that we listened to the song for days straight. Will the rest of the album be so surprising and sweet?
Speaking with VH1′s Carrie Keagan this morning on VH1′s Big Morning Buzz Live, the ever charming Mars more or less promised as much. He assured that there will “definitely” be something to jam to in “every scenario,” because the album was born from his broad experience working as a producer. “As a producer,” he explains, “I’ve written a lot of songs for a lot of different artists and all different kinds of styles — R&B, hip hop, rock — and I feel like when it’s time for me to do my own personal stuff, everything I’ve ever learned trickles down into my music. Which makes me a little unorthodox.” Read more…
Bruno Mars stepped out of the songwriting shadows and into the spotlight in a big way with his 2010 solo debut, Doo-Wops And Hooligans, an album that spawned two #1 singles (“Just The Way You Are” and “Grenade”), sold a few million copies worldwide and earned Mars eight Grammy nominations (including a win for Best Male Pop Vocal Performance). The album was a highly entertaining mélange of styles and sounds, which ran the gamut from bombastic ballads (like “Grenade”) to Motown-leaning tracks (“Just The Way You Are”) to crazy catchy lite reggae dittys (see “The Lazy Song”).
The song is clearly inspired by Outlandos d’Amour-era Police as, on first listen, we thought we were listening to the group’s stone classic, “Roxanne.” A clipped, almost staccato Andy Summers-ian guitar tone that’s paired up with a very Sting-like bassline provide the backbone for the song, but the song’s production is very of-the-moment*. The song’s structure is flawless, too, as we have come to expect from Bruno Mars; the verses are emotional, the bridge (“Your sex takes me to paradise”) provides the build, and the song pays off in a killer chorus (“You make me feel like I’ve been locked out of paradise/For too long-ong-ong”). We’re gonna have this one On Repeat all day and, if history is any indication, for the next few months to come.