One of the reasons why Courtney Love remains fascinating despite not having recorded a worthwhile album since the ’90s is because she totally lacks a filter. Just last month, she accused the Muppets of “raping” the memory of Kurt Cobain, but now she’s trained her sights on her longtime enemy, Dave Grohl. Gawker is reporting that Love accused Grohl of trying to seduce her estranged daughter, Frances Bean Cobain, using the private Twitter handle of @Cbabymichelle. Or, as she puts it, “Nothing cuts through the sh*t like a gross old man macking on kurt cobains only child.”
Dave Grohl quickly issued a statement through his rep to Gawker, telling them that “Unfortunately Courtney is on another hateful twitter rant. These new accusations are upsetting, offensive and absolutely untrue.”
It wouldn’t be Monday morning without waking up to some deliciously NSFW antics from rock’s original angst princess, Hole frontwoman Courtney Love. This weekend at Brazil’s SWU Festival, Courtney mouthed off on stage after being provoked by an audience member holding up an image of her late husband and Nirvana frontman, Kurt Cobain. The emaciated Courtney, mere millimeters away from slipping a nip, burst into an angry tirade, aggressively swearing and giving the finger to the fan who had so offended her in what we can only imagine was an attempt at honoring Cobain.
Spitting into the microphone, Courtney scathed, “You know, I don’t need to see a picture of Kurt, a–hole. And I’m going to have you f–king removed if you keep throwing that up. I’m not Kurt, I have to live with his f–king shit and his ghost and his kid every day. Throwing that up is stupid and rude and I’m going to beat the f–k out of you if you do it again.” Somehow, her rant turned to Dave Grohl and the politics of his relationship with Cobain when they were both in Nirvana. Seething, but with a half smirk on her face, Courtney declared, “Go see the f–king Foo Fighters and do that shit,” before flipping the audience a solid bird and storming off stage.
When Krist Novoselic announced that he’d be performing at this Tuesday’s Nevermind tribute concert at the Experience Music Project in Seattle, some hoped for a reunion of the surviving members of Nirvana‘s 1991 lineup?but it was not to be (although PROMO ALERT thanks to VH1 Classic we will be premiering unseen 1991 concert film Nirvana: Live At The Paramount Friday, September 23 at 11PM ET/PT on VH1, VH1 Classic, and Palladia). But Novoselic, Dave Grohl, and producer Butch Vig did reunite recently, for at least the second time in the last year (the first was in the studio for the recording of “I Should Have Known” for Foo Fighters album Wasting Light), to talk to Jeff Weiss for Britain’s NME.
“My life was split in two by Nevermind,” Grohl tells the magazine, noting that he doesn’t remember the recording sessions or album release that well?and recalls plenty of time after its release but before it really broke: “In our own little world, things stayed the same for a while.” Of course, all three spend the interview alternately downplaying the content of the album as particularly revolutionary (chalking its success up to timing and pop sensibilities) and giving any credit for what might be special about Nevermind to the late Kurt Cobain. “You can’t forget what an artist Kurt Cobain was,” Novoselic insists. “He would draw, he would do sculpture, and he would write songs. He was really gifted.” (When later asked what would have happened if Cobain had not died, he only responds, “You can’t downplay what happened at the end, so that’s a really hard question to answer. It’s just too monumental.”)
Butch Vig, who would later form Garbage, mostly stays quiet (though if you’re interested in his comments on the album, check out the documentary Classic Albums: Nirvana: Nevermind, in which his extraordinarily obvious-in-retrospect observations about his production technique belie his real talent as a producer). Of course, there was little to add about the experience of recording because, as Vig reports here, “There was no drama.”
If you were to ask us to rattle off a list of some of the worst band names ever, it would probably be awhile before we got to the name Foo Fighters. Not Dave Grohl, though; according to him, “Honestly, had I taken this whole career thing seriously, I would’ve named it something else [besides Foo Fighters], because it’s the worst f*****g band name in the world!” This revelation, along with many more about the band’s tumltuous 16-year career (which has been filled with drug overdoses, creative in-fighting and a rotating lineup of musicians), are all presented, straight from the horse’s mouths, in the new documentary film, Foo Fighters: Back And Forth.
The film, directed by Academy Award winning documentary filmmaker James Moll, made its debut in front of a raucous audience at SXSW a few weeks ago, but you’ll be able to catch it in the comfort of your own living room on VH1 tonight at 10 p.m. ET/PT. The level of access that Moll got into the world of the Foos was unbelievable, and you’ll see each of the band members candidly discuss the pros and cons of being a member of a band that formed in the wake of Nirvana’s untimely collapse. If you’re a fan of rock music, this doc is DEFINITELY a must-see. Set your DVRs!
Foo Fighters Documentary Premiere Followed By Surprise Show
Foo Fighters: Back and Forth premieres on VH1 April 8.
Foo Fighters: Back and Forth,Â which premiered to a cheering audience last night at SXSW in Austin, opens with Dave Grohl looking back at his time as Nirvana’s drummer. He says the trio knew something was “weird” when jocks started showing up for shows, but “we never thought we’d sell a million albums.” Of course, this was before Nevermind sold more than 26 million copies and permanently altered rock’s DNA. The most enjoyable aspect of this rock doc, directed by Oscar-winner James Moll, is watching the very likable Grohl strike rock gold twice — no small feat for a teen who grew up touring under miserly conditions in the ’80s hardcore scene.Â In this clip, Dave, one of rock’s greatest drummers, explains how he came to create the Foos in the wake of Kurt Cobain‘s suicide: