So the unlikely story that got the internet spinning yesterday, the one about how Paul McCartney as Dave Grohl to jam and inadvertently ended up getting Nirvana back together? It turns out there was some — well, a lot of — truth to it. Last night McCartney was charged with closing out the 12-12-12 Concert for Sandy Relief, a challenging task that meant following up nearly six-hours of performances by everyone from Bruce Springsteen to Kanye West and Billy Joel to the Rolling Stones, and a task that he handily dealt with by calling up his “mates” Grohl, Krist Novoselic and Pat Smear for a “jam.”
Together they played “Cute Me Some Slack,” the new song teased in yesterday’s blodders. There can be no Nirvana without Kurt Cobain, but McVana ground it out their own way. They played a new song called “Cut Me Some Slack,” which was stomping and static with feedback like a Nirvana song wont be, and which got Macca wailing like his blood was running hot: “Mama, watch me run / Mama let me have some fun.”
That was only one of many wonderful moments from last night’s benefit, which . Here are five more you won’t want to miss:
According to the Telegraph, previously announced performers Paul McCartney and Dave Grohl will be joined at tonight’s star-studded 12-12-12 Sandy benefit concert at Madison Square Garden by Nirvana bassist Krist Novoselic and touring guitarist Pat Smear. Or in other words, Nirvana are back! But with McCartney taking over for the late Kurt Cobain, and they will probably only play non-Nirvana songs or maybe a new track that they’ve been secretly working on ever since Paul asked his “mate” Dave to “jam.” (Seriously, McCartney insists he didn’t mean to getting Nirvana back together: “I didn’t really know who they were … And somebody whispered to me: ‘That’s Nirvana. You’re Kurt.’ I couldn’t believe it.”)
Which is mostly all to say that we may not get to hear Paul McCartney really loose himself to “Heart Shaped Box,” but whatever they do end up doing will almost certainly be awesome. And with Kanye West, Bruce Springsteen, The Rolling Stones, Bon Jovi, Eddie Vedder and more already on-board and now this, tonight’s show is shaping up to be an impressive one. That’s why we here at @VH1 will be airing it live on VH1 Classic or Palladia, as well as live-streaming the 5-hour long concert at 121212concert.vh1.com.
Performing together on 12.12.12 to raise awareness for the victims of Hurricane Sandy, these world-renowned, A-list artists will all help The Robin Hood Foundtation raise funds to rebuild communities and lives of those affected by the disastrous storm. Here at @VH1, we’ll be live-streaming the 5-hour long concert at 121212concert.vh1.com, so bookmark the page and feel free to donate what you can as you catch the historical night right here alongside us. If you can’t find an internet connection, tune-in to VH1 Classic or Palladia to watch the show over good old-fashion television airwaves!
R. KELLY BLAMES RYAN GOSLING FOR HIS DIVORCE
“As the film credits started to roll, I couldn’t move,” he writes in his new book Soulacoaster. “I burst into tears. People walking past me patted me on the back, trying to console me. The Notebook was beautiful, and I was crying because its hero and heroine had died together. But I was also crying because … my marriage had died. And there was nothing I could do to bring it back.” Perfect. [MTV]
Dave Grohl quickly issued a statement through his rep to Gawker, telling them that “Unfortunately Courtney is on another hateful twitter rant. These new accusations are upsetting, offensive and absolutely untrue.”
It wouldn’t be Monday morning without waking up to some deliciously NSFW antics from rock’s original angst princess, Hole frontwoman Courtney Love. This weekend at Brazil’s SWU Festival, Courtney mouthed off on stage after being provoked by an audience member holding up an image of her late husband and Nirvana frontman, Kurt Cobain. The emaciated Courtney, mere millimeters away from slipping a nip, burst into an angry tirade, aggressively swearing and giving the finger to the fan who had so offended her in what we can only imagine was an attempt at honoring Cobain.
Spitting into the microphone, Courtney scathed, “You know, I don’t need to see a picture of Kurt, a–hole. And I’m going to have you f–king removed if you keep throwing that up. I’m not Kurt, I have to live with his f–king shit and his ghost and his kid every day. Throwing that up is stupid and rude and I’m going to beat the f–k out of you if you do it again.” Somehow, her rant turned to Dave Grohl and the politics of his relationship with Cobain when they were both in Nirvana. Seething, but with a half smirk on her face, Courtney declared, “Go see the f–king Foo Fighters and do that shit,” before flipping the audience a solid bird and storming off stage.
“My life was split in two by Nevermind,” Grohl tells the magazine, noting that he doesn’t remember the recording sessions or album release that well?and recalls plenty of time after its release but before it really broke: “In our own little world, things stayed the same for a while.” Of course, all three spend the interview alternately downplaying the content of the album as particularly revolutionary (chalking its success up to timing and pop sensibilities) and giving any credit for what might be special about Nevermind to the late Kurt Cobain. “You can’t forget what an artist Kurt Cobain was,” Novoselic insists. “He would draw, he would do sculpture, and he would write songs. He was really gifted.” (When later asked what would have happened if Cobain had not died, he only responds, “You can’t downplay what happened at the end, so that’s a really hard question to answer. It’s just too monumental.”)
Butch Vig, who would later form Garbage, mostly stays quiet (though if you’re interested in his comments on the album, check out the documentary Classic Albums: Nirvana: Nevermind, in which his extraordinarily obvious-in-retrospect observations about his production technique belie his real talent as a producer). Of course, there was little to add about the experience of recording because, as Vig reports here, “There was no drama.” Read more…
If you were to ask us to rattle off a list of some of the worst band names ever, it would probably be awhile before we got to the name Foo Fighters. Not Dave Grohl, though; according to him, “Honestly, had I taken this whole career thing seriously, I would’ve named it something else [besides Foo Fighters], because it’s the worst f*****g band name in the world!” This revelation, along with many more about the band’s tumltuous 16-year career (which has been filled with drug overdoses, creative in-fighting and a rotating lineup of musicians), are all presented, straight from the horse’s mouths, in the new documentary film, Foo Fighters: Back And Forth.
The film, directed by Academy Award winning documentary filmmaker James Moll, made its debut in front of a raucous audience at SXSW a few weeks ago, but you’ll be able to catch it in the comfort of your own living room on VH1 tonight at 10 p.m. ET/PT. The level of access that Moll got into the world of the Foos was unbelievable, and you’ll see each of the band members candidly discuss the pros and cons of being a member of a band that formed in the wake of Nirvana’s untimely collapse. If you’re a fan of rock music, this doc is DEFINITELY a must-see. Set your DVRs!
Foo Fighters: Back and Forth premieres on VH1 April 8.
Foo Fighters: Back and Forth,Â which premiered to a cheering audience last night at SXSW in Austin, opens with Dave Grohl looking back at his time as Nirvana’s drummer. He says the trioknew something was “weird” when jocks started showing up for shows, but “we never thought we’d sell a million albums.” Of course, this was before Nevermind sold more than 26 million copies and permanently altered rock’s DNA. The most enjoyable aspect of this rock doc, directed by Oscar-winner James Moll, is watching the very likable Grohl strike rock gold twice — no small feat for a teen who grew up touring under miserly conditions in the ’80s hardcore scene.Â In this clip, Dave, one of rock’s greatest drummers, explains how he came to create the Foos in the wake of Kurt Cobain‘s suicide: