Yep, it’s no walk in the park molding the next hit song, and it’s even harder shortening that stellar tune into a 60-second cohesive piece of brilliance. But somehow, someway, VH1’s Stop/Watch artists manage to do just that, and we’ve got a hot selection including the Goo Goo Dolls‘ very own John Rzeznik throwing down the croon-worthy “Come To Me” in under a minute. Just when you thought that song couldn’t be more addictive… it did.
But the Goo Goo Dolls frontman isn’t the only singer stepping up to the plate. Diane Birch reworked “Superstars” and Lucius restructured the delightfulness that is “Turn It Around”. But don’t take our word for it. Check out our video gallery to see if they can all beat the clock.
Now that 2012 is firmly in the rearviewmirror, it’s time to look forward with hope and optimism as to what the year 2013 holds in store for music fans like us. Considering that we’re not even three weeks into January and we’ve already been blessed with two delightful surprises —A new Destiny’s Child song! A new Timberlake jam!— we feel confident that this is going to be another banner year filled with an abundance of both monster pop smashes and crossover gems.
With that in mind, the VH1 Tuner team has put together this list of 13 of our most anticipated albums for 2013, which includes a healthy mix of familiar faces (Beyoncé, Lady Gaga) and artists on the come-up (Big Sean, Diane Birch), brought to you in the order of when we expect them to release their new material.
Tegan and Sara, Heartthrob (Expected Release Date: January 29): Sisters Tegan and Sara Quin have long been staples at alternative radio, but the synth-driven Heartthrob appears like it might be the LP that finally breaks them into the mainstream consciousness. “We really look at this as an opportunity to stretch into a world that we’ve been just outside of for a long time,” Sara recently told our VH1 News crew, and one listen to the album’s lead single, “Closer,” seems to be indicative of the fact that they’ve reached their goal.—Mark Graham
Diane Birch‘s 2009 album, Bible Belt, was one of the most promising debut LPs to emerge in the last five years. Her voice and songwriting style eschews the kind of tawdry, disposable fluff that tends to get traction on Top 40 radio, and instead hearkens back to the confessional singer-songwriter style of legends like Carole King and Laura Nyro. Aside from her 2010 digital-only cover album The Velveteen Age, she’s been holed up in the studio for the last few years working on her sophomore record. So when we heard that she would be road testing songs from her forthcoming LP (due out summer-ish) at an intimate showcase show during Day Three of the 2012 South By Southwest Music Festival, we dropped our previous plans and made our way over to the Intercontinental Hotel.
It turned out to be an awesome decision.
Birch played seven songs in her roughly 40 minute set, all of which were new to our ears. Whereas her work on Bible Belt alternated between torch songs and jaunty melodies, her new material was considerably more layered and widescreen in its sound. Take her first single, “Speak A Little Louder” (which premiered on Idolator yesterday), for example: She layers reverbed vocals over a bed of warm, atmospheric synths, creating a mood that we saw RCRD Label describe perfectly as “vintage chill.” Over the last few years, she seems to have spent considerable time and effort honing her songwriting craft, particularly when it comes to penning choruses that instantly get stuck in your brain. Birch even proved capable of writing anthemic melodies; the last song of her set last night contained a refrain that promised “We’re superstars tonight.” Considering the way the crowd reacted to her set, that line is certainly prophetic of Birch’s future in 2012.
Other sets we caught last night: