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Online Sensations Of 2012 That Made Us Cry From Laughter, Smile From Joy

It’s a good year when a video of the leader of the free world singing Al Green‘s “Let’s Stay Together” is uploaded to YouTube. President Obama’s very good Al Green attempt wasn’t the only video that had us clicking. Strange things happen when cell phones with video recorders meet the Internet. And this is why we’re most thankful to the almighty YouTube gods.

It’s been one hell of a year for online sensations. Going viral isn’t a prerequisite to making our list of the year’s best online videos. It’s not about the number of Internet scavengers who viewed a whacky video (although it’s a pretty good indicator of how great a phenomena it is). Whatever made us laugh until our bellies ached, smile so hard while thinking, ‘How cuuuute!’ or made us hit the replay button more than once, it made the list. From Jay-Z explaining who he was to an elderly woman on the subway to a grandma dancing to Tyga‘s “Rack City,” we loved it all.

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DMX Still Doesn’t Like Drake But Does One Heck Of An Impersonation Of Him

Don’t ask DMX a question if you don’t want to know the honest answer. One of the reasons we love him is because he lacks a filter no matter what camera he’s in front of. Apparently his feelings toward Drake haven’t changed much since his February interview with 105.1′s Breakfast Club. While talking to RapFix’s Sway, DMX praised Lil Wayne for his success, but wanted it known that he’s still not feeling Drake. Not only does he not like Drake, he also does a funny impersonation of him. “He has talent, but it’s kind of redundant,” he said on the live show. “It’s the same all the time, it kind of sounds the same. To me personally, it’s an annoying sound. Like a washing machine, or a dryer. I don’t even have to explain why, I just don’t like what it is.” If you’re wondering why he’s going so hard on Drake, he at least has a reason. Read more…

by (@Lacezilla)

Concert Review: DMX’s Homecoming Reminds Us Of NYC Hip-Hop’s Grittier, Glorious Past

Eager energy and chants for “D-M-X” filled the Tribeca nightclub S.O.B.’s Thursday night in anticipation of the Yonkers rapper’s first New York City show in years; it was dark, and the venue was beyond hot. Uncertain of what to expect from the artist who barks, growls and is known for his well-documented turbulent past, concert-goers were pleasantly surprised when the star, slated to appear on VH1′s new show Couples Therapy this spring, pulled off an almost two-hour long gig full of heartfelt sincerity and animation.

In addition to performing a few new tracks (including Machine Gun Kelly-featured single, “I Don’t Dance”), X took us back to his heyday in the late 90s and early 2000s, performing a number of fan favorites like “Party Up,” “How’s It Goin’ Down,” “It’s All Good,” and “Get At Me Dog.” Joining him on stage for hit “Ruff Ryders’ Anthem,” a song that DMX revealed he wasn’t initially on-board to record, was a towel-swinging Swizz Beatz who then showed allegiance to his longtime comrade by remaining front and center for the duration of the show. “I didn’t want to do the ‘Anthem,’” admitted X to the crowd, explaining that it was the now Megaupload-tied NY producer whose plea he submitted to during their gritty Ruff Ryder era.

Reminding us of his untamed personality and raw artistic chutzpa, X’s antics throughout the show were entertaining, but by no means out of control. Hyper-sexual comments about his nether regions —that led to him, shirtless and sweating profusely, getting wiped down by a female fan— fell between powerful a capella verses and call-and-response interaction with the audience; X would shout “Flesh of my flesh,” and his disciples would answer emphatically: “Blood of my blood!” Reiterating comments made earlier that morning regarding both Drake and MMG ringleader Rick Ross, The Dog touched upon today’s boastful themes in hip-hop and took time to explain how tacky and redundant he feels that kind of bragging over bars can be. Lacking the filter that many of today’s artist strategically craft, X’s honesty was refreshing without being too overbearing; his intention was not necessarily to insult, but rather to take contemporary hip-hop overall to task. Just like he did 10-plus years ago.

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