Eager energy and chants for “D-M-X” filled the Tribeca nightclub S.O.B.’s Thursday night in anticipation of the Yonkers rapper’s first New York City show in years; it was dark, and the venue was beyond hot. Uncertain of what to expect from the artist who barks, growls and is known for his well-documented turbulent past, concert-goers were pleasantly surprised when the star, slated to appear on VH1′s new show Couples Therapy this spring, pulled off an almost two-hour long gig full of heartfelt sincerity and animation.
In addition to performing a few new tracks (including Machine Gun Kelly-featured single, “I Don’t Dance”), X took us back to his heyday in the late 90s and early 2000s, performing a number of fan favorites like “Party Up,” “How’s It Goin’ Down,” “It’s All Good,” and “Get At Me Dog.” Joining him on stage for hit “Ruff Ryders’ Anthem,” a song that DMX revealed he wasn’t initially on-board to record, was a towel-swinging Swizz Beatz who then showed allegiance to his longtime comrade by remaining front and center for the duration of the show. “I didn’t want to do the ‘Anthem,’” admitted X to the crowd, explaining that it was the now Megaupload-tied NY producer whose plea he submitted to during their gritty Ruff Ryder era.
Reminding us of his untamed personality and raw artistic chutzpa, X’s antics throughout the show were entertaining, but by no means out of control. Hyper-sexual comments about his nether regions —that led to him, shirtless and sweating profusely, getting wiped down by a female fan— fell between powerful a capella verses and call-and-response interaction with the audience; X would shout “Flesh of my flesh,” and his disciples would answer emphatically: “Blood of my blood!” Reiterating comments made earlier that morning regarding both Drake and MMG ringleader Rick Ross, The Dog touched upon today’s boastful themes in hip-hop and took time to explain how tacky and redundant he feels that kind of bragging over bars can be. Lacking the filter that many of today’s artist strategically craft, X’s honesty was refreshing without being too overbearing; his intention was not necessarily to insult, but rather to take contemporary hip-hop overall to task. Just like he did 10-plus years ago.
Beef Alert! DMX Doesn’t Like “Anything About Drake” And Says Lots Of Other Crazy Things
In an interview for the Breakfast Club on New York’s Power 105.1 radio station this morning, DMX said some really crazy things. Amongst them was the following comment about Drake; “I don’t like anything about Drake. I don’t like his voice, I don’t like what he talks about, I don’t like his face, I don’t like the way he walks, I don’t like his haircut. I might just…Let me shut up. I’ll just stop right there.” Click on to read more! [Pop Dust]
Chris Brown Is In Trouble With The Law… Again
It never ends, does it? Chris Brown is reportedly up for a robbery charge after snatching a fan’s iPhone out the front of a Miami club after she attempted to take his photo with it. Let’s not forget that legally, Brown is still under criminal probation. [Huffington Post]
Man Goes To Jail For Killing His Mom Over Avril Lavigne
In a crime of passion, a now 39-year-old man killed his 61-year-old mom in 2008 when she failed to call in a favor to get him Avril Lavigne tickets, now he’s going away for 40 well deserved years. [Prefix]
Kelly Rowland Gushes Over Baby Blue Ivy Carter
We haven’t seen the baby yet, but Aunty Kelly Rowland is just crazy about baby Blue Ivy Carter. “She is just more precious than a diamond. She’s just so stunning,” Kelly raves in an interview. [Rap Up]
Last week, we celebrated the 20th anniversary of A Tribe Called Quest’s seminal album, The Low End Theory, and after spending quality time with the LP, it became clear that many artists may have snagged sonic gems from the trendsetting hip-hop quartet over the years. If you’re a fan of rap music, you already know that sampling and re-working existing songs is commonplace in the creative process; similar to contemporary art’s idea of the “readymade,” producers will lift elements from one song and add them to a new canvas to re-envision their use. But what happens when the same thing is done with lyrics?
One little-known fact: Lil’ Wayne’s“A Milli” is a slowed-down sample of one of Phife’s lines from a remix of “I Left My Wallet in El Segundo” off Tribe’s first album, 1990′s Peoples’ Instinctive Travels and the Paths of Rhythm. Sometimes referred to as swagger-jacking, a rapper re-purposing the bars of artists before him or her can in other circumstances be seen as a salute-beckoning sign of respect. And in Tribe’s case, it should be! In addition to sitting down with ATCQ for their first joint interview since 1998, we also got to chat individually with in-and-out, behind-the-scenes group member Jarobi White to scoop his brains for memories on the group’s incredible second album. In honor of its Album-Versary, we present you with Jarobi’s exclusive interview clips, and the Top 5 Recycled Lines From The Low End Theory.
VH1 debuted the latest countdown in our long-running The Greatest series, the 40 Most Shocking Hip Hop Moments, this evening. If you missed it, don’t worry; it will rerun tomorrow night, Monday, September 19, at midnight. If you’re looking for the complete list, look no further. Here are the 40 Most Shocking Hip Hop Moments … so far!
40) Nicki Minaj gets butt slapped by Regis Philbin
39) Wyclef runs for president of Haiti
38) 50 Cent shockingly thin Twitter pics
37) Lil Wayne goes to prison and gets grillz removed
36) Redman?s shocking Cribs episode [WATCH]
35) Cam?ron?s anti-snitching 60 Minutes interview
34) Dr. Dre?s shocking transformation at VMAs
33) Sir Mix-A-Lot?s raunchy ?Put ?Em on the Glass? video
32) Lil Mama crashes stage during Jay-Z and Alicia Keys VMA performance
31) Suge Knight knocked out
With such an oversaturation of music from ?up-and-coming? rappers these days, it?s a constant struggle to differentiate the rookies with potential from the mediocre flashes in the pan. Every day, it seems, there?s a new solo artist, duo or squad that you’re compelled to listen to, and just keeping track of the influx of talent calls can be exhausting for listeners. If you?re a rapper or emcee trying to penetrate ?the game,? it must be intimidating, right? Now imagine you?ve got an extra handicap: You?re British.
With an alley-oop assist from Eric Turner?s booming ?Written In The Stars? chorus, the Capitol-drafted English import rapper Tinie Tempah is gaining early momentum on this side of the pond, and remains determined to do something that very few UK spitters have done before: “break” in America. Tinie has done quite well for himself in his native U.K., as his most recent album Disc-Overy debuted at #1 on the British charts and launched four Top Five singles (including two number ones), and was England’s top-selling debut album by a Brit in 2010. Two BRIT Awards, a recent BET Award for Best International UK Artist and a well-reviewed performance at Glastonbury later, it appears the young rapper is getting on the board fast. But even with those accolades under his belt, finding quick success in America isn?t a given, and Tinie knows that. Between breaking the barriers at crossover radio without getting “too pop” while also getting acclimated with our snooty, regionally-structured hip hop scene, it would appear that his path is a bit steep.
When we sat down to interview Tinie earlier this month, he told us all about his transitional journey from overseas thus far. Lucky for him, some friends of ours helped him mentally prepare for this moment. While supporting The Script on tour in Australia, Tinie received a much-needed pep talk from the band that had experienced some tough American crowds of their own when they first made the North Atlantic journey. ?Just brace yourself,? they told him, ?some of the shows are going to be a little bit gun-wrenching.? The coached warning was helpful and wound up serving as an airbag when Tinie performed before crowds of ten to twenty thousand people one night, and then under one hundred the next. ?It has been fun, and more than anything, it?s a humbling experience ?cause is just shows that, you know, that you?ve never really made it until you?ve made it, and there?s always something more you can be doing, so, yeah, I like it? it?s all part of the game.?
Rapper DMX was arrested – again – this weekend trying to purchase some coke n’ weed from an undercover police officer. After asking the cop for “30 Powder & 15 Weed,” the Ruff Ryder handed over $45 and was immediately arrested. This is the fourth – yes, FOURTH – time DMX has been arrested since May 7th, when he was popped for reckless driving, among other charges. On May 9th he was nailed for animal cruelty and drug possession, and just last week on June 23 he was popped driving without a driver’s license.
Does this guy have any friends to look out for him (besides his abused dogs)? Can’t the Lohans and the Spears clans rally round this guy and haul him off to rehab, starlet style? [TMZ]
Rapper DMX, who once was at the top of the music game, has been arrested AGAIN. Is he trying to break some record or just beat his personal best? He was picked up yesterday on an arrest warrant for driving on a suspended license. Aw, that’s nothing! That’s like G-rated, compared to all that dog abuse crap from last year. Maybe DMX is trying to make a comeback?
Anyway, now would be a fun time to guess how many time’s DMX’s been arrested. What do you think?
a) 3 times
b) 17 times
c) 10 times
d) all of the above
Answer under the jump!
We are addicted to “Barack Obama-sistible,” this amazing parody of all the good, bad and ridiculous campaign music videos haunting the Web these days. The band is Detroit Octane, fronted by longtime Late Night with Conan O’Brien writer and performer Jon Glaser (creator/star of our fave web series, Tiny Hands) The band’s musically mocked Mike Huckabee as well, to the tune of Wham’s “Everything She Wants.” We can only imagine what kind of genius Clinton and McCain will inspire.
We’d suggest DMX collaborate with Detroit Octane, but he doesn’t seem to be following the campaign AT ALL. In an interview with XXL the rapper reveals that he’s not just oblivious to our country’s current political saga, he’s never even heard of Barack Obama.
XXL: Are you following the presidential race?
DMX: Not at all.
XXL: You?re not? You know there?s a Black guy running, Barack Obama and then there?s Hillary Clinton.
DMX: His name is Barack?!
XXL: Barack Obama, yeah.
DMX: What the f*ck is a Barack?! Barack Obama. Where he from, Africa?
Finally, the album we’ve been waiting for all our life! DMX is putting out a double album – with one disc full of hip hop tracks and the other – solely gospel-rap songs. His combined masterpiece will be called Walk With Me Now and You’ll Fly With Me Later, and DMX claims that the gospel portion with be “without cursing ? how ’bout that one? No songs about b—-es, no songs about robbing, just straight ‘Give God the glory.’ ”
Amen. When asked why he decided to put out a gospel record, the rapper said, “Destiny, I guess. I just go with the flow.” Thus, we’ll just go with our flow and drop some suggested tracks.
- Religious Ruff Ryders
- All Dogs Go to Heaven
- What These Angel B*tches Want (featuring Sisqo)
- Get Me a God
- It’s Bright and Heaven is Hot, But Not as Hot as Hell