We here at VH1 are strong believers that mothers are worthy of appreciation 365 days a year. That said, this Sunday is the official day we honor those special women in our lives. Seeing as how music has always been expressive and a reflection of the artist’s own life, it only makes sense that everyone from Tupac to Taylor Swift have created songs expressing their love for the woman that brought them into the world. Those songs cover the entire spectrum, from light and fun to heartfelt and emotional. In honor of Mother’s Day, we’ve put together a Spotify playlist of our all-time favorite songs dedicated to moms. Since we don’t sing or rap, we’re leaving it to those that do to honor all the mamas. Happy Mother’s Day!
HAPPY MOTHER’S DAY FROM VH1
1. “Dear Mama”- Tupac
Tupac’s ode to his mother Afeni Shakur has to be one of the most touching and well known dedication songs in music.
2. “Mama’s Song” – Carrie Underwood
In this guitar heavy country song, Underwood reassures her mom that her husband to be is a great man, and marrying him doesn’t mean her mom is losing her.
3. “Hey Mama”- Kanye West
“It don’t got to be Mother’s Day or your birthday for me to call and say, ‘Hey, mama.'” When Kanye made this fun track for his mother, we never imagined it’d be the very song he’d perform in her honor after her death. Counting our lucky stars that she was able to hear it before she passed.
4. “The Best Day” – Taylor Swift
Taylor Swift probably has a lot of great days seeing as how she’s one of the biggest country singers and all. But spending quality time with her mom tops the list of best days she’s ever had.
5. “A Song For Mama” – Boyz II Men
When Boyz II Men’s “A Song For Mama” played on the popular late 90s movie Soul Food, eyes welled with tears. Soulful voices singing lyrics that helms mothers as Queens would make any mama proud. Read more…
The down home diva Kelly Clarkson announced a release date (October 25) and a title (Stronger) for her fifth LP yesterday. Clarkson’s fans have been foaming at the mouth for months wondering when this album would officially come out, especially since a few songs (including “Dark Side” and “Let Me Down”) leaked last month and were well-received by her acolytes.
That said, when we first heard that she’d be titling her record Stronger, we couldn’t help but feel like, well, it had been done before. After all, it was only March of this year when country artist Sara Evans released an album bearing the same name. A little bit more research revealed that a handful of other well-known musicians have recorded tracks called “Stronger” in recent years, artists running the gamut from Kanye West to Britney Spears to Mary J. Blige to Faith Hill (the latter two of whom are, like Clarkson, former VH1 Divas). While it is still unclear if Clarkson’s new LP will have a title track of the same name, here’s a look at Kelly’s competition for becoming the strongest of the “Stronger” pack.
Artist: Mary J. Blige, “Stronger” (Listen to the song)
Album: More Than A Game (2009)
Refrain: “I’m stronger, stronger, stronger / I’m stronger, stronger, stronger”
Analysis: This song has very impressive DNA; it was written by Esther Dean, produced by Polow da Don, and sung by one of the best singers in the biz. However, it suffers retroactively because it’s so closely tied to the disappointing career arc of Miami Heat supervillain/choke artist LeBron James. The song first appeared on the soundtrack to the documentary about James’ high school years, More Than A Game, and feels overwhelmingly melodramatic and stripped of its potential anthemic power because of that association.
Buoyed by an extended onslaught of promotion, the premiere of NBC’s new series The Voice scored big ratings, outranking stiff competition in its two genres: music (Glee) and reality (Dancing with the Stars). The show’s structure is overly complicated (the four judges each recruit a team of eight singers, then train their team for competition against the other judges’ teams), and a few suspense beats that would have worked on series creator Mark Burnett‘s biggest success, Survivor, fell flat, but overall, the show works. So, a quick rundown:
By way of introduction, The Voice‘s four artist/judges performed Gnarls Barkley‘s “Crazy,” with Adam Levine on drums, Blake Shelton on guitar, and Christina Aguilera joining Cee Lo Green on lead vocals. The quartet won’t be forming a super-group anytime soon, but their rendition was polished, and successfully communicated the artists’ willingness and ability to succeed in a variety of musical genres.
The contestants range from rank amateurs to near-professionals: After belting Faith Hill‘s “Breathe,” Tarralyn Ramsey tearfully ad-libbed a few bars of “What a Girl Wants” when she was selected by Aguilera, confessing that she sang along to all of Aguilera’s songs, “even the Spanish ones.” She didn’t mention that in 2003, she won VH1’s Born to Diva competition, performed on Divas Duets, and got a one-record deal with Universal?the same grand prize offered by The Voice.
Jeff Jenkins, on the other hand, isn’t even a webcam Youtuber like some of the amateur hopefuls, yet he impressed all four judges with his rendition of “Bless the Broken Road,” made famous by Rascal Flatts.
And so on. The “surprises” weren’t particularly exciting: a duo! Disqualified American Idol contestant Frenchie Davis! (Also a pretty decent cover of “Rolling in the Deep”!)
But the clear audience favorite was Javier Colon: his emotive guitar-and-vocal rendition of Cyndi Lauper‘s “Time After Time” is currently the 43rd best-selling song on iTunes, where all of the audition songs became available for purchase immediately after the premiere.
Apparently Tim McGraw has got that “special something” that drives fans to totally violate his personal space. Earlier this week video surfaced of a lady-fan grabbing his junk (followed by a serious verbal beatdown from his wife Faith Hill), and now there’s a new clip of an audience member accidentally grabbing a ring off his hand during a concert. Tim, like his wife, doesn’t stand for it, and stops singing to continuously demand his jewels back. Maybe McGraw needs to put up some sort of barrier between himself and the audience when he performs – that’ll give Faith some time to teach ‘em all about class!