Chances are at least one song you’ve had #ONREPEAT (or quoted to caption an Instagram photo or two) in the last year was produced by 24-year-old Michael Len Williams II. Known to his fans and collaborators as Mike WiLL Made It, with an audio tag that’s hard to miss, the Atlanta-based producer has become a go-to in the hip-hop world, helping craft hits for everyone from Kanye West to Miley Cyrus in the last 18 months.
First Miley Cyrus is naked, licking a sledgehammer, next she’s rapping alongside Wiz Khalifa and Juicy J. But it’s only Tuesday!
A$AP Rocky is not New York’s rap savior. That doesn’t mean he isn’t the most intriguing, most watched rapper to emerge from New York in the last decade. It’s hard for an artist’s project to live up to the level of hype critics and fans set for Long.Live.A$AP. Like Kendrick Lamar’s good kid, m.A.A.d. city, A$AP rose to the occasion with the (Polo Grounds/RCA) debut–not for producing an LP with a cohesive story arc like his Oakland colleague–but for its production and experimentation.
Criticized for his lack of depth on the mixtape Live.Love.A$AP, the 24-year-old Harlem rapper didn’t buckle under pressure to create a forced pseudo-deep LP. It’s unapologetic in the grandiose boasting of extra zeros in his bank account, the fly women he’s sexing and posturing of street life. “Yes I’m the s—-/Tell me if it stink/It feel good waking up to money in the bank/Three model b—-/cocaine on the sink/And I’m so ’bout it ’bout it I might roll up in a tank,” he raps on the lead single “Goldie.” The themes are much of the “look at how much money I have” and “I know fancy designers,” but his voice over the drums, snares and keyboards, it all bangs. Hard. Read more…
Whether it arrives via an artist’s song lyrics, ad-libs or in the form of a routine sound while performing on stage, your favorite rappers and singers are constantly dropping consumable anecdotes for the masses. If they’re lucky, these catchphrases are repeated and mimicked often enough to eventually be added to the popular-culture lexicon, used as amusing mantras for us all to drop in text messages and into tweets as #hashtags. Some might even make it into the dictionary.
This year, especially, delivered a treasure trove of jack-able artist quotes, and while you might wish that most of these never make it into 2013, we present you with a nostalgic look at this year in music verbiage: 2012′s Most Memorable One-Liners.
We’ve seen the tattoos and we’ve heard the stories of it tragically back-firing, so there’s certainly no denying that Drake’s (or Rick Ross’?) You Only Live Once motto wasn’t one of the biggest this year.
2. “(Pop A) Molly”
We can all rattle off a list of rappers who (over)used this designer drug reference in 2012, but here’s hoping that Meek, Kanye, French, Trinidad James, Ross and others can find a new addiction to flaunt come January 1.
3. “Oh God”
Like a cheerleader for himself, Detroit’s G.O.O.D Music member Big Sean knows how to announce himself before spitting a verse. Alternate spellings include gawd and gaud.
2012 was the year of being or getting #turntup. Crunk songs encouraging partying, drinking and the good life were the soundtrack to turning up. French Montana‘s “Pop That” instructed women on how to, err, pop their booties at a party or club. It easily was one of the summer’s most popular anthems. In the same vein was Juicy J‘s “Bands A Make Her Dance” which suggests rolls of money secured by a rubber band will indeed make a girl dance. Not that we frequented the strip club or anything, but word on the street is strippers made this their unofficial theme song.
Other crunk songs had less to do with booty popping or stripping and more to do with intimacy–straight grown and sexy style. Take for instance Kelly Rowland‘s “Motivation” that inspired a body roll whether you were at your desk at work or in your car at a red light. Fun.‘s “We Are Young” isn’t your typical crunk song, however, if the DJ played this song at a party you witnessed the crowd going wild. So without further ado, here’s 16 of the year’s crunkest songs. Shout out to the artists for enabling our turned up ways. Read more…
T.I. Is Free, And Coming To VH1
Yeah, we told you about this earlier. But can you blame us for being excited? Here’s hoping the Rubber Band Man can bounce back.
Chartbeat: The Game Topples The Throne But Will Make Way For Lil Wayne
By just a 4% margin, The Game‘s R.E.D. Album tops the Billboard 200 this week, just narrowly squeaking ahead of Watch The Throne (still strong in its second week). We wonder whether The Game’s promise on Twitter to follow anyone who proved that they bought two copies of his album made a difference. In any case, Lil Wayne‘s Tha Carter IV is predicted to sell nearly ten times as many this coming week as either album sold last week, and though the Red Hot Chili Peppers likely won’t match that, I’m With You Throne. [Billboard]