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Putting A ‘Hit’ On Mob Wives

Way back when, in late 2010, we were tasked with music supervising a brand new series set to premiere in January, 2011. The series was called Mob Wives, and to be honest, we were a little afraid. Ok, a lot afraid. But we knew it was going to be good, as the characters were undeniably compelling. The women’s rich histories, blended with their tough-as-nails personalities, all set against the NYC backdrop was going to produce nothing less than riveting television.

One afternoon, when we were sitting in a listening session for the new Raphael Saadiq record (and his song “Good Man” specifically), it struck us. This was the type of music that would define and help edify the story lines in this brand new series. Retro Soul/Blues were genres coming back with a vengeance and Raphael was the first of many great artists we would find to create the defining soundtrack to the series. Plan B, Charles Bradley, Fitz and the Tantrums, Mayer Hawthorne, Pauline, Eliza Doolittle, Sola Rosa, Aloe Blacc, Graffiti 6, Maverick Sabre, Lee Fields and the Expressions, Gary Clark, Jr. , and of course the theme song, “The Big Bang” by Rock Mafia, were just few of the artists we placed throughout the first two seasons of Mob Wives.
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by (@kat_george)

Sharon Jones & The Dap-Kings Are VH1′s Latest You Oughta Know Artist

Soul music veterans Sharon Jones & The Dap-Kings are VH1′s latest You Oughta Know artist, just in time for the release of Soul Time!, the band’s forthcoming release of rare tracks and b-sides. Since 1996, Sharon and the Dap-Kings have been at the forefront of funk and soul revivalism, capturing the spirit of the genre as it blossomed in the ’60s and ’70s. Using traditional analog recording methods and equipment, SJDK have no use for modernity, and are loyal to the authenticity of their sound.

The band was originally formed by Philip Lehman and Gabriel Roth as the Soul Providers in the mid-nineties, and discovered Sharon Jones during early recording sessions for their first album, after she recorded back-up vocals for one of the Lee Fields tracks. So impressed were the Soul Providers with Jones’ vocals that the album, Soul Tequila, was released in 1996 featuring two solo Jones tracks (“Switchblade” and “The Landlord”). Shortly after, Roth and Lehman started a new label, Desco Records, in Brooklyn, New York, and reissued Soul Tequila as Gimme The Paw and began championing New York performers, creating an entire scene around Desco. As the reputation of Desco grew and more records were released, it eventually came time for Lehman and Roth to split in 2000 — and for Roth to start his own label, Daptone Records, with current Dap-King tenor saxophone player, Neal Sugarman. You can see where this is going, right?

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