It’s almost New Year’s Eve, that one, glorious, most hopeful night of the year. It’s also that one night you’re going to party like it’s 1999, so let this week be dedicated to mani-pedis, haircuts, outfit buying, midnight kiss daydreaming, preemptive sleeping and playlist making. When it comes to partying, everyone has a distinctive song, an anthem, if you will — and we’re here to tell you what your New Year’s Eve theme song, that banger you’re going to be cranking at midnight, says about your party style, and what kind of New Year’s Eve you can expect…
Britney Spears – “Til The World Ends”
You’re either a strong believer in Mayan mythology or you just really, really love dancing. Chances are you’re going to be on the dance floor all night — forget about everything else, you just want to dance (until the world ends, heh). We’re going to take a punt and guess that you were going through puberty the first time you heard “… Baby One More Time,” and that Britney just so, like, makes you feel like a teenager again! If you’re anything like us (a Britney stalwart since the start), you’re just completely ecstatic to see Britney get her groove back.
What a year, right? As we get ready to put the finishing touches on the year that was, it’s time to look back at the music videos that define the year 2011. Tonight, we’ll be airing a supersized edition of the VH1 Top 20 Music Video Countdown that takes a look back at the Top 40 music videos of the year. Be sure to tune-in to VH1 tonight at 7 p.m. ET/PT to see your favorite videos of the year in all of their widescreen, HD glory, but we couldn’t resist giving you guys a sneak peek at the list here on VH1 Tuner this morning.
So, without further ado, here is our list of the Top 40 Videos of 2011…
Besides whistling, shouting-out famous musicians in song titles seems to be all the rage this year.
Here’s how they rank:
10.) “Marvin’s Room,”Drake
This dizzying, chilled-out tune seemingly has nothing to do with Marvin Gaye, except when you discover that the song was apparently recorded in a studio used by the late-great singer, aptly named “Marvin’s Room.”
9.) “Marvin & Chardonnay,” Big Sean (feat. Kanye West & Roscoe Dash)
Another ode to Marvin Gaye, this one, however, mentions him by name in the song’s lyrics.
8.) “The Lisa Lisa/Full Force Routine,” Beastie Boys
Not so much a song as it as an outro for the Beastie’s latest album, Hot Sauce Committee, Pt. 2. Regardless, both musical acts from the 1980’s (Full Force and Lisa Lisa & Cult Jam) are curiously shouted out.
7.) “I Need A Doctor,” Dr. Dre (feat. Eminem & Skylar Grey)
Don’t call Dr. Dre conceited for name-dropping himself in his own song title; he appears in less than a minute of the actual track.
Demi Lovato began her Unbroken tour last night in Detroit, and in a gossamer gown, sashaying back and forth across the stage before her screaming fans, she let it rip. While Demi didn’t necessarily have moves like Jagger—her performance lacked any sort of dancing other than the occasional sway—she did have the song, covering Maroon 5 and Christina’s Aguilera‘s upbeat number “Moves Like Jagger.” She may not have bought the moves, and the super sweet Disney princess certainly didn’t bring the sexy the way Adam Levine and Christina do, but she did belt it out with her strong, confident vocal, which in our books, totally rocks.
Amidst the fanciful costumes and ostentatious fanfare of the annual Victoria’s Secret “fashion” show, some of our favorite artists got on stage to sing the angels down the runway. Nicki Minaj, in a characteristically brazen ensemble, gave the Angels a run for their money with her other-worldly costume, and was just as sexy as the girls stomping past her, even though she was—ahem, we hope you can appreciate the irony in this—dressed somewhat more demurely. Kanye West was joined by surprise Watch The Throne collaborator Jay-Z to perform their hits “Otis” and “Stronger.” Fashion-forward Kanye cheekily appeared to be wearing a bomber jacket from the yet-to-be-released Versace for H&M range. Maroon 5 also performed, with frontman Adam Levine getting all cute (or sickening, depending on how you feel about love and couples right now) on stage with his long-time model girlfriend Anne Vyalitsyna.
This weekend on Saturday Night Live, Maroon 5 sang Gym Class Heroes’ “Stereo Hearts,” accompanied by GCH frontman Travie McCoy. And there was not a fleck of skin in sight as both Adam Levine and McCoy sported heavily tattooed arms as they performed side-by-side. Soulful and summery, “Stereo Hearts” effortlessly combines Levine’s r’n'b influenced pop sound with McCoy’s laid back rapping style. Not to mention all the kinds of good looking happening on stage as the two musicians sang together!
“Moves Like Jagger” is big right now. The Maroon 5/Christina Aguilera collaboration may not have hit #1 quickly enough to prevent Katy Perry from tying the once-untouchable record set by Michael Jackson, but the song has since been topping the charts (not to mention placing well in VH1′s Top 20) for a month?except for the week after the VMAs, when “Someone Like You” briefly unseated it. With the video for that Adele single set to premiere tonight on MTV, the Los Angeles quintet has recruited a guest rapper for an official remix?either in an attempt to hold off Adele on the charts, or maybe just for the heck of it. The guest? Mac Miller. (Hey, Maroon 5 and VH1′s Single Ladies have something in common!) The band premiered the remix via Twitter; it’s available to stream at HipHopDX before it officially hits radio (and iTunes) next week.
For the last 14 weeks, we’ve been tracking the race to see which track would become this year’s Song Of The Summer. Since people consume music in so many different ways these days, our goal was to put together a democratic formula that compared how a group of over 70 songs performed across five of the primary channels that people frequently use to listen to their favorite jams: the Billboard Hot 100 (radio play & sales), the iTunes charts (pure sales), Last.fm scrobbles (listening on computer and mobile devices), the YouTube music charts (streams) and, of course, our VH1 Top 20 Video Countdown. Each week, we tracked how our group of competitors fared in each of these different platforms, and then added up the results.
So, without any further ado, we are psyched to announce that Katy Perry has taken home the first place prize in VH1′s first annual Song Of The Summer competition! When the summer began, it looked like Adele‘s “Rolling In The Deep” was going to be an unstoppable force, but as soon as Katy dropped her 80s-tastic “Last Friday Night (T.G.I.F.)” video during the week of June 27th, she dominated the countdown from there on out. Katy was gracious enough to film an quick speech for us while she accepted our totally awesome Song Of The Summer trophy, which we’ve got for you above.
For you completists, here is our final Song Of The Summer countdown chart (that is, until Memorial Day 2012 rolls around!). And you’re on Spotify, you can subscribe to our VH1 Song Of The Summer 2011 playlist and re-live the summer whenever you want.
At this time last year, hopes for Maroon 5‘s third studio album, Hands All Over, were high. The lead single, “Misery,” had hit #1 on Billboard‘s Adult Pop chart, and since the band had convinced famed superproducer Robert “Mutt” Lange to come out of semi-retirement to produce their album, everyone looked for the band to take the leap from a well-liked, fairly popular M.O.R. band to the next level and a spot among the world’s most commercially successful bands. However, once the album finally hit streets in October 2010, the masses shrugged their shoulders and largely ignored the album. The record was certified gold by the RIAA for shipping over 500,000 copies, but worldwide sales stalled out at just 529,000 total units.
Perceived failures like this have sunk many a band in the past, but thanks to charismatic frontman Adam Levine and ten weeks of national TV exposure courtesy of NBC/Universal’s The Voice (corporate synergy at its finest!), the band has totally reversed their fortunes in less than a year. Their new track, “Moves Like Jagger,” hit #1 on the iTunes chart this week, and Levine’s featured hook on Gym Class Heroes‘ “Stereo Hearts” propelled the song to a Top 20 finish in this week’s Song Of The Summer countdown. No wonder artists like Mariah Carey (The X-Factor), Sara Bareilles (The Sing Off) and more are looking to land prime positions as judges on televised singing competition shows; it’s exactly the kind of exposure to Middle America that the flagging music business is no longer in a position to give these artists using “traditional” music channels. As Maroon 5 has proved, it’s great work if you can get it!
As for the rest of our Song Of The Summer chart —only two more weeks until we crown a champion!— kudos to Katy Perry for her ninth consecutive week in the #1 spot.
Earlier this week Maroon 5 frontman Adam Levine (of late a judge on NBC’s The Voice) went off on American Idol for not allowing contestants to be openly gay on the show. It didn’t take long for someone at Idol?producer Nigel Lythgoe, talking to Entertainment Weekly about the Emmys?to fire back. “There?s no reason that I would see why anybody that goes on television should start coming out with who they are, what they are, what their sexuality is, who they’re going to vote for or what their religion is,” the producer told James Hibberd when asked about Levine’s comments.
Lythgoe’s plea for privacy rings true, but it doesn’t address the particulars of the situation. Specifically, his claim, “If somebody wants to say they’re gay, it’s up to them” contradicts what Idol contestant Adam Lambert has said. In his episode of Behind The Music, Lambert recalls reading Mark Harris‘s cover story (coincidentally, for Entertainment Weekly) and wondering in regards to its speculation on his sexuality, “Why does it matter? But I guess it does.” (In this he agrees with Lythgoe.) But he goes on to claim that he was contractually unable to respond except on Idol or in an Idol-sanctioned group interview. So to an extend it wasn’t really “up to him.” We hardly expect Lythgoe to respond to a question he was not asked, but his remarks nevertheless fail to adequately defend the show from Levine’s criticisms.