It wouldn’t be Monday morning without waking up to some deliciously NSFW antics from rock’s original angst princess, Hole frontwoman Courtney Love. This weekend at Brazil’s SWU Festival, Courtney mouthed off on stage after being provoked by an audience member holding up an image of her late husband and Nirvana frontman, Kurt Cobain. The emaciated Courtney, mere millimeters away from slipping a nip, burst into an angry tirade, aggressively swearing and giving the finger to the fan who had so offended her in what we can only imagine was an attempt at honoring Cobain.
Spitting into the microphone, Courtney scathed, “You know, I don’t need to see a picture of Kurt, a–hole. And I’m going to have you f–king removed if you keep throwing that up. I’m not Kurt, I have to live with his f–king shit and his ghost and his kid every day. Throwing that up is stupid and rude and I’m going to beat the f–k out of you if you do it again.” Somehow, her rant turned to Dave Grohl and the politics of his relationship with Cobain when they were both in Nirvana. Seething, but with a half smirk on her face, Courtney declared, “Go see the f–king Foo Fighters and do that shit,” before flipping the audience a solid bird and storming off stage.
Following the announcement that Amy Winehouse‘s first posthumous album will be released a mere four months after her death on July 23, we started wondering how that timeline compared to some of history’s other notable posthumous record releases. From Nirvana to the Notorious B.I.G., we take a look back at the often uneasy relationship between art and commerce.
Artist:The Notorious B.I.G Died: March 9, 2007 Album:Life After Death Release Date: March 25, 2007 Speed To Market: 16 days
Artist:Otis Redding Died: December 10, 1967 Album:(Sittin’ On) The Dock Of The Bay Release Date: January 8, 1968 Speed To Market: 29 days
Artist:Tupac Died: September 7, 1996 Album:The Don Killuminati: The 7 Day Theory Release Date: November 5, 1996 Speed To Market: 59 days
You’re forgiven if you’re feeling a little bit of Nirvana overkill of late, because we’ve been dealing with those same issues in the wake of Nevermind‘s 20th anniversary. However, Urge Overkill‘s Eddie “King” Roeser just shared an incredible story on the band’s official website about the handful of dates back in 1991 when his band opened for Nirvana just as they were beginning to break out in popularity, so we figured it was worth sharing with you. In his blog post, Roeser talks of how, over the course of one week, Kurt, Dave and Krist went from playing a “flat” show in Cleveland to “freaking out” because of the sudden onslaught of “meatheads” that started attending their shows. Roeser describes these gigs as being “easily among the greatest rock shows I have or will ever see,” but the bands ultimately split ways in Kansas. As Roeser tells it…
“Both bands drove through Stull, Kansas, as they wanted to partake of the legendary haunted crossroads celebrated by our song of the same name (we had just released the Stull EP). It was a warm autumn day and Cobain sat down against the huge oak tree by the church and joked ‘If there is a Satan, I want him to come and get me.’ No sh*t, that?s what he said.
Remember the naked baby on the cover of Nirvana‘s Nevermind? You know, the one who was swimming in hot pursuit of the almighty dollar? Well, turns out that little baby isn’t a baby anymore. The Nirvana baby’s real name is Spencer Elden, and he’s a 20-year-old student at the Art Center College of Design in Pasadena, California (and, if you haven’t put two and two together, he’s the guy in the picture above). He did an interview with CNN on the occasion of Nevermind‘s 20th anniversary, where he revealed a startling fact: Neither he nor his parents have ever received a single dime in royalties! C’mon Courtney Love, Dave Grohl and Krist Novoselic, toss the kid a few sheckels and make it right. After all, he’s got student loans to pay off!
This Tuesday, Sept. 27, the 20th Anniversary Deluxe Edition of Nirvana?s breakthrough album, Nevermind, will be released. For a band that took pride in appearing to be normal everyday schmoes, a multi-CD/DVD deluxe package feels a tad extravagant, but considering the impact the album made on the music industry, it also feels very appropriate, if not long overdue.
For those too young to remember, here are three ways Nevermind impacted the world of mainstream music:
1) Made Mainstream Rock Less Homophobic
In one of the most confusing paradoxes in music history, mainstream rock n? roll in the 1980s was dominated by misogynistic guys who liked to wear makeup. Nirvana?with its Pacific Northwest feminist sensibilities?helped put a halt to this way of thinking, especially when Kurt Cobain mockingly appeared on MTV?s Headbanger?s Ball wearing an evening gown. Interviews with openly gay magazines and really dressing like girls for their ?In Bloom? music video?while Kurt and Krist playfully grinded on one another?helped prove that mainstream rock didn?t need to be macho, to be good.
Eddie Trunk Of That Metal Show Named One Of The Best Characters On Television Eddie Trunk, the enthusiastic host of That Metal Show, got a much-deserved nod from Rolling Stone in their list of this season’s Best Characters On Television. The VH1 Classic show is now powering through its eighth season, with no signs of stopping. Sammy Hagar stops by this week: tune in Saturday at 11PM ET. [Rolling Stone]
Facebook Launches Music Partnerships With Spotify And Others
During their F8 keynote today, Facebook announced a slew of music partnerships that will integrate its social elements with the streaming capabilities of Spotify, Soundcloud, Rhapsody, turntable.fm and others, so you can easily see what your friends are streaming and listen along (or be prompted to join whichever service, if you’re not already signed up). The auto-updating timeline/ticker setup inadvertently joins the fight against guilty pleasures, as there doesn’t seem to be a mechanism built in to prevent friends from seeing everything you’ve listened to. [Billboard] Read more…
“My life was split in two by Nevermind,” Grohl tells the magazine, noting that he doesn’t remember the recording sessions or album release that well?and recalls plenty of time after its release but before it really broke: “In our own little world, things stayed the same for a while.” Of course, all three spend the interview alternately downplaying the content of the album as particularly revolutionary (chalking its success up to timing and pop sensibilities) and giving any credit for what might be special about Nevermind to the late Kurt Cobain. “You can’t forget what an artist Kurt Cobain was,” Novoselic insists. “He would draw, he would do sculpture, and he would write songs. He was really gifted.” (When later asked what would have happened if Cobain had not died, he only responds, “You can’t downplay what happened at the end, so that’s a really hard question to answer. It’s just too monumental.”)
Butch Vig, who would later form Garbage, mostly stays quiet (though if you’re interested in his comments on the album, check out the documentary Classic Albums: Nirvana: Nevermind, in which his extraordinarily obvious-in-retrospect observations about his production technique belie his real talent as a producer). Of course, there was little to add about the experience of recording because, as Vig reports here, “There was no drama.” Read more…
Next Saturday, September 24th marks the twenty-year anniversary of Nirvana‘s Nevermind. The album had an undeniable impact on both the music industry and popular culture, one that would be impossible to adequately put into words in the space that we have allotted to us at the moment. (Don’t fret, though; we’ll be getting to that soon enough.)
In honor of this historic anniversary, our friends over at VH1 Classic and Palladia managed to get their hands on some extremely rare footage of Nirvana in concert back in 1991, which they’ll be airing at 11 p.m. next Friday, September 23. This press release about this acquisition just went out over the wires, so without further ado, here’s all the info…
VH1 CLASSIC PRESENTS THE WORLD PREMIERE OF NIRVANA: LIVE AT THE PARAMOUNT FRIDAY, SEPTEMBER 23 AT 11 PM ET/PT
The Historic, First-Time-Televised Concert Will Simulcast On VH1 Classic, VH1 And Palladia
NEW YORK, NY ? September 15, 2011 ? Celebrating the 20th anniversary of Nirvana?s genre-defining second album Nevermind, VH1 Classic will televise a special, never-before-seen concert Nirvana: Live At The Paramount Friday, September 23 at 11 p.m. ET/PT. The 60-minute, hometown concert will also be simulcast on VH1 and Palladia, MTV Networks? high-definition music channel.
The Video Music Awards are a celebration of the best music video work that musicians and technical personnel have to offer. They’re also a live event attended by more than a few outsized personalities, all interacting with each other in close proximity. Part of what makes the event so exciting to us is the tension that proximity creates. Sometimes, though, it boils over past professional rivalry into personal beef.
With that in mind, here is a look back at the ten most memorable VMA fights. Will anyone get into it this year? (Pitbull and Lindsay Lohan?) We’ll be tuning in to MTV on Sunday at 9 p.m. to find out.
LIL WAYNE SPRINGS A LEAK, THREATENS TO KIDNAP BEYONCÉ
Where’s the beef? On Lil Wayne’s just-leaked Tha Carter IV, that’s where! According to Blackbook, Weezy’s new track “It’s Good” features this bar directed towards Jay-Z: “Talkin? ?bout baby money, I got your baby money/Kidnap your b****, Get that ?how much you love your lady?” This is apparently in retaliation to a verse that Jay sung on “H.A.M.” that dissed Young Money. First Game disses Jay, now Wayne? Sh*t’s about to get real, son! [Blackbook]
JOSEPH GORDON-LEVITT PAYS HOMAGE TO KURT COBAIN
The 20th anniversary of Nevermind is just around the corner, so Nirvana-mania is clearly in bloom (drum roll). At a concert in Seattle last night, the Inception star played a cover of “Lithium,” which he punctuated with this off-the-cuff dedication: “You know it seems like everytime people bring up Nirvana, people wanna talk about how Kurt Cobain killed himself. But I gotta say, it doesn’t matter to me. It doesn’t matter that he’s dead, it doesn’t matter how he died, his songs are f***ing awesome, that’s what matters.” [Everybody Loves Our Town]