Pazz + Jop, The Village Voice‘s annual music poll that aggregates the opinions of thousands of music critics based on their votes for single and album of the year, has just been released, and it’s very similar to all the other ‘Best Of 2011′ lists we’ve read. That is to say, there aren’t really any surprises, maybe just a slight reshuffling of the order. In that vein, Adele appears on both lists, with 21 ranking at number 6 for albums, and “Rolling In The Deep,” and “Someone Like You,” featuring at number one and nine respectively on the singles list.
Perhaps the most unexpected thing about the lists is the order itself — while Adele sits snugly where she’s always sat, several pop stars have found their way into Pazz + Jop’s top ten singles, where other end of year lists had them pulling up the ranks much further down the line. For instance, Beyoncé‘s “Countdown” makes it to number two on the singles list, with Nicki Minaj‘s “Super Bass” at number three and Britney Spears’ “Til The World Ends” at number seven. All in all, however, the top 10 singles featured the usual suspects, from Azealia Banks, Jay-Z and Kayne West, M83, Lana Del Rey, Tyler The Creator and Foster The People, there was nothing particularly shocking about the ballot-topping artists.
It was a similar story in the albums list, which, as already mentioned, saw Adele near the top, followed closely by Bon Iver‘s Bon Iver at number nine. Perhaps of a slightly “buzzier” lien than the singles, the albums list saw critically acclaimed tUnE-yArDs‘, w h o k i l l come in at number one, with PJ Harvey‘s fawned over artwork, Let England Shake at number two, and Wild Flag‘s unexpected success, Wild Flag, at number four. Jay-Z and Kayne West, Destroyer, Drake, Tom Waits and Shabazz Palaces also make the top ten albums but again, no surprises other than ranking — these are names we heard all through 2011 and that at the end of the year were plastered across the lists we saw online in both blogs and music industry and expert websites.
The results are in! And it’s not just a matter of opinion either — Billboard has compiled the Hot 100 Songs of 2011 according to radio airplay audience impressions and sales data provided by Nielsen, as well as streaming data from other online sources. And the winner is…
Adele! (Duh.) The hottest song, from what is indubitably one of the most highly appreciated, universally loved albums of the year, “Rolling In The Deep” is number one on Billboard‘s Hot 100 Songs list. Katy Perry may have scored more #1s this year than Adele, but by Billboard’s count, “Firework” and “E.T” came in at #3 and #4, respectively. We’re pretty proud to see You Oughta Know artists Bruno Mars at #6 with “Grenade,” #15 with “Just The Way You Are” and at #26 with “The Lazy Song”, and Foster The People at #13 with “Pumped Up Kicks.”
The music loving folk at NPR, Q, Uncut, Stereogum and Paste have all weighed in on the top 50 albums of 2011, and they all have one thing in common — Bon Iver‘s Bon Iver.
It really is the year of the ‘indie’ artist, and following Arcade Fire‘s Grammy win earlier this year, the music industry has shifted its focus to Bon Iver (who is nominated for 4 Grammys in the 2012 awards), a band that, while having been around for a while, has only just begun to enter mainstream consciousness. Perhaps it was Bon Iver’s Justin Vernon‘s collaboration with Kayne West on My Beautiful Dark Twisted Fantasy last year, or maybe it just so happens to be that the world is finally ready to grapple with non-pop centric sounds — whatever, 2011 (musically at least) was the year of Bon Iver.
My Chemical Romance Drummer Fired For Stealing
Drummer Michael Pedicone, who joined My Chemical Romance last year, following the departure of Bob Bryar, was abruptly fired on Thursday night. According to a blog post by guitarist Frank Iero, Pedicone “was caught red handed stealing from the band and confessed to police after our show.” Iero also stated that the band does not intend to press charges. This afternoon, Pedicone released a statement via Kerrang! that stated, in essence, that he’d actually been caught attempting to frame a member of the band’s crew for the supposed theft. “I made what was certainly the poorest decision of my life,” he wrote. “Rather than address the issues that I had with the crew member in an open and honest manner, I tried to make them look irresponsible.” And he would have gotten away with it, too, if it weren’t for those pesky Fabulous Killjoys. [AV Club]
Madonna Is Working On A New Album Madonna just premiered W.E., the historical drama she directed, on Thursday at the Venice Film Festival, but she’s already talking about new music. She’s re-teaming with her Ray of Light collaborator William Orbit and other producers including Martin Solveig (if his name doesn’t ring a bell, “Hello” might). She hopes to have a single ready for January or February and an album in the spring, and whether she hits those marks or not, she’ll certainly be disappearing into the studio for a while after the promotional push for W.E. wraps. [Popdust] Read more…
The Mercury Prize announced its twelve-album shortlist of the best British and Irish albums released between July 2010 and July 2011 earlier today, and Adele and PJ Harvey are the leading nominees?at least according to British bookies, who gave 4-to-1 odds for each of the two artists. Both have been nominated for a Mercury Prize before: Adele in 2008 for 19 and PJ Harvey three times, of which she won once, in 2001, for Stories from the City, Stories from the Sea. Other nominees that have gotten some traction with United States artists include British rapper Tinie Tempah and Jamie Lidell-via-dubstep soulster James Blake, who played at this weekend’s Pitchfork Music Festival.
The closed-door judging process for the Mercury Prize, founded to be a “Booker Prize for music,” is best explained in a 2003 Guardian piece. The shortlist ranges from the obscure and localized (localised?), like King Creosote & Jon Hopkins‘s Diamond Mine, to, well, Adele. The nominees also span ages, from neophyte rock bands like Everything Everything to UK mainstays like Elbow. And despite some of the left-field nominees, the prize’s short history has British favorites of ours like Suede and Pulp, so we’re curious who will walk away with the prize in September.
The 2011 Coachella Festival is a wrap! Sadly, we didn’t go, but here are five reasons we wish we had:
Those who stuck it out through Cee Lo Green‘s transportation-delayed (and, by some accounts, uninspiring performance) on the main stage Friday were rewarded with a razor-sharp set from Lauryn Hill, who immediately followed. After the enormous success of The Miseducation of Lauryn Hill, which struck a chord with millions?Adele called the album “life-defining” in last week’s Rolling Stone? Hill shrank from the spotlight, and her performances of late have been as sporadic in quality as they have in quantity. But Spinreports that she was in top form at Coachella, and we can’t doubt after watching set-closer “Doo Wop (That Thing)”: