It’s not every day that you get the opportunity to see Bon Jovi, Eric Clapton, Dave Grohl, Billy Joel, Alicia Keys, Chris Martin, Bruce Springsteen & The E Street Band, Eddie Vedder, Roger Waters, Kanye West, The Who, Paul McCartney and – just added! – The Rolling Stones perform in one night. But next Wednesday December 12th at 7:30pm EST, 121212 – The Concert For Sandy Relief will be broadcast from New York City’s Madison Square Garden to over one billion people in North and South America, Europe, Africa, Asia and Australia, and you shouldn’t miss it!
Performing together on 12.12.12 to raise awareness for the victims of Hurricane Sandy, these world-renowned, A-list artists will all help The Robin Hood Foundtation raise funds to rebuild communities and lives of those affected by the disastrous storm. Here at @VH1, we’ll be live-streaming the 5-hour long concert at 121212concert.vh1.com, so bookmark the page and feel free to donate what you can as you catch the historical night right here alongside us. If you can’t find an internet connection, tune-in to VH1 Classic or Palladia to watch the show over good old-fashion television airwaves!
The Forbes list of the highest paid musicians is out and if you’re not familiar with the finances of your favorite artists, there might be some surprises in there. Firstly, everyone’s favorite non-practicing self-proclaimed Dr. Dre is at the top of the list. Why? His album is forever delayed! Ah but you forget: Actual music doesn’t pay that much anymore.
Dre’s bundle of cash ($110 million to be more specific) is mostly due to the overwhelmingly popular Beats By Dre line of audio electronics–Forbes reports: “He collected $100 million pretax when handset maker HTC paid $300 million for a 51% stake in the company last year, at the beginning of our scoring period; he and his partners later bought back half of what they sold.” So if Dre’s long-awaited, many-times-pushed-back album never actually comes to fruition, you know who to blame. Blame HTC and the millions of people rocking those Beats headphones across the globe. Those bragging rights that come from hip-hop songs about cars and clothes and girls? Dre doesn’t need them anymore.
Just who else was in the top 10?
I was 5-years-old when The Wall came out in 1979. Of course, I was far too young to grasp any of the deeply adult themes of loneliness, alienation and distrust of institutional power that dominate Pink Floyd‘s masterwork, but that didn’t stop my fellow first graders and I from chanting “We don’t need no education!” and “Hey, teacher, leave us kids alone!” while we walked to elementary school in the mornings. Some musical statements are just universal in that regard, I suppose. Yet, for whatever reason, I was never much of a Floyd fan growing up. Sure, I was familiar with a great deal of their catalog —if you grew up in the 70s or 80s had access to a car and FM radio, how could you not be?— but for whatever reason, my musical attention during my formative years was drawn primarily towards hip-hop and more accessible, distinctly American classic rock staples (Bruce Springsteen, Bob Seger, Eddie Money).
I bring up this confession (of sorts) because I went into Saturday night’s Roger Waters presents The Wall: Live concert at Yankee Stadium without a deep level of knowledge about either the album or the production. I purchased The Wall on iTunes just last week, and only had time to give it one end-to-end listen (which just so happened to be my first time doing so) before hopping on the 4 Train from my home in Brooklyn and making the trek up to 161st Street in the heart of the Bronx. Aside from cursory glances at a few reviews of recent dates on the stadium leg of this particular tour, I went into the evening with an open mind, fully prepared to be blown away. Well, suffice to say, that mission was accomplished. Quite literally, in fact.