Back on December 25th in the year 2001, before Regina Spektor was signed to a major label deal, she decided to spend her Christmas Day in the recording studio. Over the course of the day, she recorded 12 original songs — ones that featured no other instrumentation besides her vocals and her piano — which ultimately became her Songs LP. This was a particularly fertile period for Spektor, creatively, and many of these songs remain fan favorites to this day. She decided to re-record that album’s first track, “Samson,” on her breakout 2006 LP Begin To Hope, and now she has decided to revisit another one of those early Lower East Side anthems that propelled her into the spotlight in the first place.
“Don’t Leave Me (Ne Me Quitte Pas)” was the closing track on Songs, but in its new incarnation, it’s the second single from Spektor’s brand new album, What We Saw From The Cheap Seats. We’ve been singing and dancing along with the original for years, but there’s no denying that the song has been tremendously improved by the addition of a more robust sonic palette, which includes adorable percussion (bells, a Casio Keyboard style drumbeat), a much needed bassline and even a rollicking horn breakdown. As for the video, it’s our favorite of Spektor’s since 2006’s “Better” (the one that propelled her to VH1 You Oughta Know status) — with its stately interior shots, slightly surreal imagery and continued use of slow focus, it’s the kind of music video that we imagine Stanley Kubrick might’ve been inspired to shoot. In it, Spektor remains as beautiful, quirky and ebuillient as ever, and thanks to the recent tide of interest in yé yé-style pop songs, perhaps this song —with its chorus of “Ne me quitte pas” — might land Spektor in the race for Song Of The Summer.