VH1 Classic Celebrates The Jewish New Year With 24-Hour Rush Marathon
Rosh Hashanah begins at sundown tonight, and on VH1 Classic, that means one thing: the return of Rush Hashanah! Classic Albums: Rush 2112 & Moving Pictures kicks off the celebration at 7PM ET/PT, followed by the premiere of Rush: Time Machine, a brand-new concert film in which the band plays Moving Pictures in its entirety, at 8PM ET/PT. The Rush marathon continues with Beyond the Lighted Stage, R30, Rush In Rio, and more. [VH1 Classic]
Hold On For New Music From En Vogue
After being stunned by continuing fan support after their appearance at the 2008 BET Music Awards, En Vogue reunited in earnest, but after a successful tour, their appearances got more sporadic. But rumors of new recordings got a big corroboration when the quartet was named as one of the performers at New York’s CMJ Music Marathon next month. [Sound of the City]
On Monday night, Tyler, the Creator of Odd Future took a break from live-tweeting his attempts “to take a photo of [his] fart” to lash out at cook and poker enthusiast Steve Albini. The rapper was defending himself against Albini’s claims that, on a shuttle bus leaving the Primavera Sound Festival in Barcelona in May, Odd Future used the word “n—a” frequently, cursed the bus driver, and bragged about how much they’d been paid at the festival.
Albini is also a noted musician and record producer (which is why Tyler felt the “need” to respond) whose recording studio Electrical Audio has a vibrant web forum (its members have even gathered for festivals). Albini’s beef with Odd Future, which in sum has more to do with them being punk kids (or as he put it, “little self-satisfied a—–e scrubs”) than anything else, was actually a series of posts in a thread on the Electrical Audio subforum “Crap/Not Crap,” in which its members give up-or-down votes on a given topic and then give reasons why.
A number of the gear-minded rock fans in the forum’s community dismiss rap outright, which is why Albini makes pains not to characterize the collective as stupid or untalented, and given Albini’s recording and production history it’s unsurprising that he defends their right to make “ugly art” even as he decries their behavior.
That said, here are Albini’s charges: