Have you ever seen a concert that’s been put on by a single person? No, by that we don’t mean a “solo artist,” someone who’s got a bassist, a drummer, and a roadie or two to get their guitars tuned for them in between songs while they preen behind the mic. We mean someone who, quite literally, stands up on stage all by their lonesome, setting up their instruments and pedals, then performing with nary another individual on stage, then tearing it all down at the end of a set. It’s an incredibly vulnerable position to be in, both as a performer and as an audience member, and a stark and intimate way to take in a performance.
We mention all this because we caught Teeth & Tongue‘s set at Piano’s in New York’s Lower East Side last night, one in which she performed all the duties mentioned above, PLUS playing the keyboard, drum machine and the guitar. Teeth & Tongue is the musical project of 31-year-old Jess Cornelius, who hails from Melbourne, Australia and is currently wrapping up her current North American tour. We caught a few minutes of her set at the 2012 SXSW Music Festival a few weeks back, which was intriguing enough to get us to brave the crisp chill in the air last night to see her showcase her talents.
Teeth & Tongue has a beguiling, sultry sound, one that to this listener lies somewhere between Cat Power and Bat For Lashes. She’s got a real knack for setting the scene in her songwriting, and has a novelist’s gift for conveying the kind of minute details in her lyrics that really put the listener in her head space. Take her confessional breakup song “Unfamiliar Skirts”, for example, a song that’s ostensibly about a couple that’s on one of those ill-fated “breaks.” It contains emotionally raw lyrics like “They all have long eyelashes that drink compliments like dew” and “You can seek forgiveness in their muscles and their thighs,” phrases that read like poetry and take on a heartbreaking quality when paired with her expressive voice and feedback-laden guitar accents. Check out what we mean in this video for the song, her first single off Tambourine (now available on Spotify), her second full-length album.