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Sharon Jones & The Dap-Kings Are VH1′s Latest You Oughta Know Artist

Soul music veterans Sharon Jones & The Dap-Kings are VH1′s latest You Oughta Know artist, just in time for the release of Soul Time!, the band’s forthcoming release of rare tracks and b-sides. Since 1996, Sharon and the Dap-Kings have been at the forefront of funk and soul revivalism, capturing the spirit of the genre as it blossomed in the ’60s and ’70s. Using traditional analog recording methods and equipment, SJDK have no use for modernity, and are loyal to the authenticity of their sound.

The band was originally formed by Philip Lehman and Gabriel Roth as the Soul Providers in the mid-nineties, and discovered Sharon Jones during early recording sessions for their first album, after she recorded back-up vocals for one of the Lee Fields tracks. So impressed were the Soul Providers with Jones’ vocals that the album, Soul Tequila, was released in 1996 featuring two solo Jones tracks (“Switchblade” and “The Landlord”). Shortly after, Roth and Lehman started a new label, Desco Records, in Brooklyn, New York, and reissued Soul Tequila as Gimme The Paw and began championing New York performers, creating an entire scene around Desco. As the reputation of Desco grew and more records were released, it eventually came time for Lehman and Roth to split in 2000 — and for Roth to start his own label, Daptone Records, with current Dap-King tenor saxophone player, Neal Sugarman. You can see where this is going, right?

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Last Lap: Tuesday’s Odds And Ends In Music News

Mumford & Sons Debut New Song on Colorado’s KBCO
When we got Mumford & Sons in the studio for their VH1 Unplugged taping, the band mentioned trying out new material on the road before heading into the studio with it. Nevertheless, no live recordings of decent quality have surfaced until this weekend, when the band performed a yet-untitled song on the air at KBCO. Fans have been calling this song “Home.” [Paste]

Justin Timberlake May Use MySpace To Launch A Talent Competition
So says his manager, Johnny Wright. If Wright is to be believed, Timberlake is as enthused about possibilities for the future of MySpace as he is unenthused about possibilities for the future of his recording career. [MTV News]

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