Lady Gaga and Tony Bennett have been making the media rounds promoting Cheek To Cheek, the joint jazz LP they’re dropping in September. While it’s clear the singers come from different eras in popular music, just precisely how big is the age difference between the two stars?
After numerous delays, it looks like Cheek To Cheek, Lady Gaga‘s long-awaited album of jazz classics with Tony Bennett, is about to become a reality. The disc is set for a September 23rd release date, not long before the pop queen is due to wrap up her six month ArtRave: The Artpop Ball tour. Will the swingin’ duo take their act on the road anytime soon? Last night we got word from Mother Monster herself!
Lady Gaga‘s “You and I” gets a jazz makeover. The original Born This Way pop track’s production sounds like rock and country made love and birthed a baby. The blaring electronic guitar boom married with minimal drums made for mid-tempo energy. Gaga’s powerhouse vocals follow suit with the light rock/country sound. All jazzed up, the snare and the trumpet glide her gravelly vocals. As you listen to the new jazz version of “You and I” it’s almost impossible not to close one’s eyes and imagine Gaga singing in a cozy lounge with a band of musicians behind her in the 60s. Read more…
In “Rolling In The Deep”, Adele sang “We could have had it all.” Well, at the 2012 Grammy Awards tonight, she did end up having it all — all the awards, that is. The English songbird completed a year of total dominance on the Billboard song and album charts by sweeping the three major categories at this year’s awards: Album of the Year for 21, Song of the Year for “Rolling In The Deep”, and Record of the Year (also for “Rolling In The Deep”). All in all, the 23-year-old took home six Grammys tonight, bringing her career total to eight.
Adele also performed “Rolling In The Deep” in front of a hushed crowd, her first public singing performance since she underwent vocal cord surgery back in 2011. We haven’t seen any video of that performance emerge on the web yet, but we DID see her knock Anderson Cooper‘s socks off with an a Capella performance of her Grammy-winning smash on 60 Minutes earlier tonight. We’ve got that performance for you below.
With her historic “Triple Crown” win tonight, Yahoo Music noted that Adele became only the sixth artist in history to accomplish that feat. Her peers in this exclusive group include Simon & Garfunkel (1971), Carole King (1972), Christopher Cross (1981), Eric Clapton (1993) and the Dixie Chicks (2007).
More on the 2012 Grammy Awards below!
The 54th Annual Grammy Awards won’t be televised until 8 p.m. ET/PT tonight, but just because CBS hasn’t turned their cameras yet doesn’t mean that the festivities haven’t already gotten underway. A handful of awards have already been given away this evening at the Pre-Telecast Grammy ceremony, and the evening’s big winners so far include controversial rap genius Kanye West and the electronic dubstep artist Skrillex.
Ye has pocketed three Grammys thus far, winning Best Rap Album for My Beautiful Dark Twisted Fantasy (where it topped his collaboration with Jay-Z, Watch The Throne) and Best Rap Collaboration and Best Rap Song for that album’s single “All of the Lights.” The ultra buzzy DJ Skrillex has taken home three awards, too (Best Dance/Electronica Album, Best Dance Recording, and Best Remixed Recording, Non-Classical). This early trifecta of trophies bodes well for his chances to pull an upset in the Best New Artist category later tonight, and he just posted this inspirational tweet to his official @skrillex account.
For live Grammy commentary all night, be sure and follow us on Twitter at @vh1music!
[Photo: Getty Images]
This month, as part of a Vanity Fair cover story, Tony Bennett and Lady Gaga had themselves a Jack and Rose moment, albeit without the illicit romance. In Titanic, the devilishly handsome Jack sketches the unattainable Rose as she lies sprawled and naked before him. Before any nudity ensues, however, Rose asserts, “The last thing I need is another picture of me looking like a porcelain doll,” and we’re thinking the line could have just as easily slipped from Lady Gaga’s lips. Bennett’s charcoal rendition of Lady Gaga is stripped down and raw — Mother Monster without all the accoutrements we’re used to seeing her robed with. Bennett’s drawing, in short, is of a human girl we’ve yet to really see. And it’s beautiful.
Of all the Grammy Awards, the one that artists covet the most is the Album of the Year prize. The nominees for the 54th annual ceremony are being released live tonight at 10 p.m. ET/PT on CBS, and a number of artists, producers and record label executives are currently feeling a rush of butterflies go through their stomachs. Thanks to the confusing timeline in the Grammys universe, this year’s Album Of The Year nominees will be LPs that were released between October 1, 2010 and September 30, 2011. With that in mind, here are some of the frontrunners:
If there’s one shoo-in for this year’s Album Of The Year prize, it’s 21. Debuting at Number One on both the UK Albums Chart and the US Billboard 200 Chart, 21 took on the number one chart position in a total of 19 countries across the world, which was good enough for a spot in the Guinness Book Of World Records. With two Grammys already under her belt (taking the awards for Best New Artist and Best Female Pop Vocal Performance at the 2009 Grammys), Adele is a fan and industry favorite.
Year in and year out, people watching the Grammy Awards find themselves asking the same question: What is the difference between Record Of The Year and Song Of The Year? What makes this especially confusing is that different songs are usually nominated in each category; in the past five years, only 10 out of the 50 total songs nominated in each of these categories have made both categories (three of those, however, have ended up winning both prizes: “Need You Now” by Lady Antebellum, “Rehab” by Amy Winehouse and “Not Ready To Make Nice” by Dixie Chicks).
To answer the question we posed above, the Grammy for Record Of The Year is awarded to the artist and production team responsible for how the song sounds, while the Grammy for Song Of The Year is given to the songwriters responsible for the composition of the song (meaning: lyrics and melodic structure). With that in mind, here are a few likely candidates to be nominated in these two categories when the 2012 Grammy nominations are announced live on CBS at 10 p.m. ET/PT.
Adele, “Rolling In The Deep”
The smoky-voiced siren is the favorite to sweep this year’s major awards, and “Rolling In The Deep” has proven to be MASSIVE in terms of its sound and its popularity; it’s been sitting in the Billboard Hot 100 for 46 weeks and counting.
Bruno Mars, “Grenade”
Bruno was incredibly well-respected as a songwriter in music industry circles long before he became a solo performer; in the Grammys game, respect from one’s peers is equally important as commercial success.
Perhaps the most anticipated collaboration from the now chart-topping(!) Duets II was Tony Bennett & Lady Gaga‘s rendition of “The Lady Is A Tramp.” To begin with, Gaga is as monocultural as they come these days. Plus, as Bennett told us, “she has the same gift as Ella Fitzgerald.” Then none other than Gay Talese profiled the duet for The New Yorker.
With the album in stores, naturally a video for the lead-off track has followed. Gaga is no less showy?that’s her nature?but her performance is in sync, not in competition, with Bennett’s. The duo riff on the lyrics, very much in a vocal jazz pop tradition. The least surprising change: a shout-out to songwriters Rodgers & Hart replaces one to Walter Winchell. Even if the redoubtable columnist had a 2011 equivalent (Nicki Finke plus Perez Hilton?) we doubt committed anti-bullying campaigner Gaga would sing his praises.
She’s also a smart fit for a vocal partner in this musical-theater tradition?so much so that the song seems well-chosen, until you realize how many others would have worked just as well (except perhaps for the titular pun). For all her outré accoutrements, Gaga fits snugly into this tradition, as someone seriously committed to her art yet mercifully unconcerned with Baby Boomer-born ideas of pop “authenticity.” It’s no wonder that Tony Bennett “gets” her.