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Songs that sound better sung by Sean Connery:

"Black Hole Sun"
by Soundgarden

"Whole Lotta Love"
by Led Zeppelin

"Blister in the Sun"
by Violent Femmes

"You Spin Me Round (Like A Record)"
by Dead or Alive

"Danny Boy"
traditional

"Summertime"
by George Gershwin

"Parents Just Don't Understand"
by DJ Jazzy Jeff and the Fresh Prince



A Paranoid's 80's Mix Tape

"Who Can It Be Now?"
by Men At Work

"Somebody's Watching Me"
by Rockwell (featuring Michael Jackson)

"Somewhere Out There"
by Linda Ronstadt / James Ingram

"All Out To Get You"
by English Beat

"Faces In The Window"
by Dio

"For The Love of Big Brother"
by Eurythmics

"Der Kommissar"
by After The Fire

"Spy In The House Of Love"
by Was (Not Was)

"Countdown to Armageddon"
by Public Enemy

"Bette Davis Eyes"
by Kim Carnes

"The Government Is Going To Find Me And Put A Bullet In My Head, Be Happy"
by Bobby McFerrin



  C. Bottomley
  Mikki Halpin
  Scott Lapatine
  Bob Lefsetz
  Jim Macnie
  Steffie Nelson
  Kevin Whitehead




Modern Humorist Presents:

Boredom in the Court
by Austin Berringer

Title: People of New York vs. Sean "Puffy" Combs
Artist: Sean "Puffy" Combs
Rating: 1 1/2 Gavels (out of 5)

Even fans of Puffy's champagne-bottle attack on record exec Steve Stout are bound to be disappointed by People of New York vs. Sean 'Puffy' Combs, which was released in full two weeks ago Friday. An uneven, derivative affair, People of New York draws heavily from previous celebrity trials, but never really finds its own voice.

Bowing to his commercial instincts right off the bat, Puffy turns most of the vocal duties over to (surprise, surprise) Mr. Ubiquitous Himself, Johnnie Cochran. Never mind that Cochran is so overplayed that, at this point, even his meaty licks on corrupt police and fame-hungry prosecutors reek of self-sampling. It seems what's good for the running back is good for the rapper; if it brings in the numbers, then originality be damned.

The Cochran gambit may be commercially shrewd, but it only exacerbates the obviousness of Puffy's hooks (e.g., "The Crowded Club Defense," from Jay-Z's "I Didn't Stab Lance 'Un' Rivera," and "I Contribute to the Community," a Leona Helmsley oldie). These obvious ripoffs of - errrrrr - homages to trials past mire the whole of People in a sort of fuzzy post-Menendez, pre-O.J. civil-trial referential mishmosh.

Plus, as the case wears on, all the sampling pretty much drowns out some of the trial's potentially electric supporting voices. Duplicitous driver Wardell Fenderson, loyal labelmate "Shyne" Barrow, bodyguard "Wolf" Jones - these and other fledgling miscreants are relegated to the background, as Combs continues to let Cochran hog the mike like Shirley MacLaine at the Golden Globes.

And where on earth is Jennifer Lopez? J. Lo's presence at Club New York the night of the shooting suggested that the diva played a heavy preproduction role in the trial itself. But instead of a tour de force, the Posterior from Puerto Rico gives a barely Barbie-sized contribution. (A word to Jenny - no one wins awards for eight-minute appearances except Judi Dench, and you, my sweet, are no Judi Dench.)

In a way, of course, we should have expected no more from the Puffster. As the final track, "I Am Going to Rededicate Myself to God and My Family," makes clear for the umpteenth time, Mr. Combs is a defendant with a true talent for the cliche.

But this reviewer maintains that even P. Diddy could do better than People, an offering so homogenized, so focus-grouped, so bland, that it ultimately feels less like an individual statement than a calculated plea designed to sway the majority of its listeners.

And if that's the future of trial law, then cancel my Court TV.

For information on Puffy's love life, CLICK HERE.

       
 
 
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