Twisted Sister Gets Gored

As part of the PMRC hearings, Twisted Sister's front man Dee Snider was invited to present his ideas regarding the labeling of album covers and the matter of offensive content in rock. Here are some of the transcripts.

Dee Snider’s Statement to the Senate, September 19, 1985

I do not know if it is morning or afternoon. I will say both. Good morning and good afternoon.

My name is Dee Snider. That is S-n-i-d-e-r. I have been asked to come here to present my views on “the subject of the content of certain sound recordings and suggestions that recording packages be labeled to provide a warning to prospective purchasers of sexually explicit or other potentially offensive content.”

Before I get into that, I would like to tell the committee a little bit about myself. I am 30 years old. I am married. I have a three-year-old son. I was born and raised a Christian and I still adhere to those principles. Believe it or not, I do not smoke, I do not drink, and I do not do drugs. I do play in and write the songs for a rock ‘n’ roll band named Twisted Sister that is classified as heavy metal, and I pride myself on writing songs that are consistent with my above-mentioned beliefs. Since I seem to be the only person addressing this committee today who has been a direct target of accusations from the presumably responsible PMRC, I would like to use this occasion to speak on a more personal note and show just how unfair the whole concept of lyrical interpretation and judgment can be and how many times this can amount to little more than character assassination.

I have taken the liberty of distributing to you material and lyrics pertaining to these accusations. There were three attacks in particular which I would like to address.

Accusation No. 1.

This attack was contained in an article written by Tipper Gore, which was given the forum of a full page in my hometown newspaper on Long Island. In this article Ms. Gore claimed that one of my songs, “Under the Blade,” had lyrics encouraging sadomasochism, bondage, and rape.

The lyrics she quoted have absolutely nothing to do with these topics. On the contrary, the words in question are about surgery and the fear that it instills in people. Furthermore, the reader of this article is led to believe that the three lines she quotes go together in the song when, as you can see, from reading the lyrics, the first two lines she cites are an edited phrase from the second verse and the third line is a misquote of a line from the chorus.

That the writer could misquote me is curious, since we make it a point to print all our lyrics on the inner sleeve of every album. As the creator of “Under the Blade,” I can say categorically that the . . . only sadomasochism, bondage, and rape in this song is in the mind of Ms. Gore.

Accusation No. 2

The PMRC has made public a list of 15 of what they feel are some of the most blatant songs lyrically. On this list is our song “We’re Not Gonna Take It,” upon which has been bestowed a “V” rating, indicating violent lyrical content.

You will note from the lyrics before you that there is absolutely no violence of any type either sung about or implied anywhere in the song. Now, it strikes me that the PMRC may have confused our video presentation for this song with the meaning of the lyrics.

It is no secret that the videos often depict storylines completely unrelated to the lyrics of the song they accompany. The video “We’re Not Gonna Take It” was simply meant to be a cartoon with human actors playing variations on the Roadrunner/Wile E. Coyote theme, Each stunt was selected from my extensive personal collection of cartoons.

You will note when you watch the entire video that after each catastrophe our villain suffers through, in the next sequence he reappears unharmed by any previous attack, no worse for the wear.

By the way, I am very pleased to note that the United Way of America has been granted a request to use portions of our “We’re Not Gonna Take It” video in a program they are producing on the subject of the changing American family. They asked for it because of its “light-hearted way of talking about communicating with teenagers.”

Accusation No. 3.

Last Tuesday a public forum regarding the lyric controversy was held in New York. Among the panelists was Ms. Gore. Trying to stem the virtual tidal wave of anti-ratings sentiment coming from the audience, Ms. Gore made the following statement: “ I agree this is a small percentage of all music, thank goodness. But it is becoming more mainstream. You look at even the t-shirts that kids wear and you see Twisted Sister and a woman in handcuffs sort of spread-eagled.”

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