• Season 4, Ep 11 · Bonus

Check Yourself Episode 11: Peter Admits Missing Tara While Rich Defends Kissing Erica

After seeing 'blonde Tara,' Peter admits getting jealous and explains why he's still not ready to settle down with Amina. Meanwhile, Rich makes it clear to Cyn that Erica is his girl.

01/20/2014 · 4:41

>> SO IN THIS SCENE, PETER AND

SAIGON ARE CATCHING UP AT A

CIGAR SHOP.

>> I'M ABOUT TO MEET MY MAN

SAIGON RIGHT HERE.

HE REALLY DON'T KNOW HOW TO

SMOKE CIGARS.

>> LET'S CHECK IT OUT.

>> I TELL YOU RICH DOLLAZ THREW

A PARTY THE OTHER NIGHT,

DOLLAZ UNLIMITED, RIGHT?

>> DOLLAZ AIN'T INVITE THE

GUARD?

>> RICH, I'M STILL MAD YOU

DIDN'T INVITE ME TO THAT.

>> TARA COME WALKING IN, I AIN'T

EVEN KNOW IT WAS HER.

BLONDE WIG DOWN HER BACK, MY

[bleep].

>> YOU'RE LYIN'.

>> I HAD NO IDEA THIS WAS GOING

ON.

WHAT HE'S SAYING--BLONDE WIG.

CHECK OUT YOUTUBE.

BLACK BUDDAFLY.

SHE PROBABLY WANTED TO LOOK LIKE

ME.

>> SKIMPIEST, TIGHTEST,

YEAST INFECTION BODY SUIT...

>> YOU'RE LYIN'.

>> YOU COULD EVER WEAR IN YOUR

LIFE.

THEN SHE HAD A DUDE WITH HER.

SHE GONNA KILL ME FOR THAT.

IT WAS A FAILED ATTEMPT AT

MAKING ME JEALOUS.

>> GOOD, GOOD.

GOOD FOR YOU, TARA.

GET YOU ANOTHER DUDE.

>> I WAS JEALOUS, THOUGH.

I AIN'T GONNA LIE.

THE REALITY OF IT IS, SHE CAN DO

WHATEVER SHE WANT,

AND I REALLY HAVE NO SAY.

I'M MARRIED.

I GOT A--GOT A WIFE.

>> AMINA MUST GOT THE BEST

[bleep] IN THE WORLD, SON.

>> WELL--

>> NO DISRESPECT.

>> YOU JUST ASKED ME IF MY WIFE

HAS THE BEST [bleep] IN THE

WORLD.

>> OH, YEAH.

BEST YOU EVER HAD.

>> IT'S WONDERFUL, BUT IT'S MORE

THAN THAT.

>> IS IT A GERMAN THING?

>> IT'S MORE THAN THAT, MAN.

>> GERMAN PORN IS GOOD, MAN.

>> YO, LISTEN--

GERMAN PORN, SAIGON?

REALLY?

MY MAN SAIGON IS RIGHT.

ME RUNNING AROUND LIKE A FOOL

IS NOT WHAT'S BEST FOR ME, TARA,

OR AMINA.

YOU KNOW YOU GOT TO BE A SCUMBAG

IF YOU TAKING ADVICE FROM

SAIGON.

NO, OFFENSE, MY DUDE.

YOU KNOW I LOVE YOU.

>> SO THIS IS ME.

I'M ON MY WAY TO ERICA'S BOOK

PARTY.

I'M GONNA SHOW HER SOME SUPPORT.

LITTLE CHIPOTLE STARTED TALKING

A LITTLE SLICK, AND GETS A

LITTLE RECKLESS AND BESIDE

HERSELF ONCE AGAIN.

>> HI.

>> HELLO.

>> WHAT'S HAPPENIN'?

>> HI. WHAT ARE WE DOING?

>> NOTHING.

I WAS JUST TALKING TO HIM.

>> THIS IS NOT WHAT I CAME HERE

FOR.

>> NO, IT'S NOT.

SO LISTEN, THIS IS MY MANAGER.

>> WHEN I SAY, "I DIDN'T COME

HERE FOR THIS," THEY KNOW

EXACTLY WHAT I'M TALKING ABOUT.

>> WHAT'D I DO TO YOU?

I DON'T EVEN KNOW YOU.

>> YOU WANT TO SIT DOWN AND HAVE

A CONVERSATION?

I THINK WE SHOULD SIT DOWN

AND TALK.

>> SHE'S SO THOROUGH.

BUT THEN AGAIN, WHEN YOU'RE

FACING SOMEBODY WHO'S CORNIER

THAN CORN, ANYTHING SEEMS

THOROUGH.

>> I THOUGHT YOU WAS A CORNY

DUDE.

I STILL THINK YOU CORNY FOR WHAT

YOU DID.

>> ALL RIGHT.

>> I DON'T KNOW MUCH ABOUT

THE MUSIC INDUSTRY.

LET'S JUST START OFF WITH THAT.

>> NO, BITCH, YOU KNOW NOTHING

ABOUT THE MUSIC INDUSTRY.

IF YOU DID, YOU WOULD UNDERSTAND

THAT WHAT I DID WASN'T CORNY.

IT'S CALLED BUSINESS.

YOU'RE A [bleep] BARTENDER,

BITCH.

MAKE ME A RUM AND COKE.

>> YOUR LIPS ENDED UP ON HER

LIPS.

SO IF IT'S BUSINESS, WHY ARE WE

IN THE STUDIO KISSING?

>> MY LIPS ENDED UP ON HER LIPS.

SHOULDN'T THAT BE A CONVERSATION

YOU HAVING WITH YOUR GIRL?

YOUR "GIRL."

>> THERE'S NO DRAMA.

JUST AS LONG AS THE LINE ISN'T

CROSSED.

THAT'S IT.

>> WE'RE MOVING FORWARD.

LET'S JUST, LIKE, MAKE THIS

WORK.

>> HE'S A CREEP.

>> HEY, HEY, HEY, HEY!

>> 'CAUSE I DON'T KNOW HOW LONG

YOU THINK YOU GONNA THROW JABS

AND [bleep].

>> YOU GOT TO BE A BITCH, 'CAUSE

YOU WAS JUST GOOD FIVE MINUTES

AGO.

>> SHUT THE [bleep] UP.

[bleep] MY--

>> NO, CYN.

WE ALL KNOW HE'S THE BIGGEST

BITCH.

>> CONTROL YOUR BIRD, AND THIS

[bleep] WOULD'VE NEVER HAPPENED.

>> SHE'S NOT A [bleep] BIRD,

RICH.

>> SHE'S A [bleep] BIRD.

>> STOP IT.

>> OKAY, I'M A BIRD

AND YOU'RE CORNY.

COOL.

>> [bleep].

>> I LET IT GO.

>> HOW MUCH [bleep] YOU BEEN

CALLING HER?

>> I LET IT GO.

>> FROM JUMP STREET.

>> YO--

>> LIKE, YOU--

>> COME HERE.

GAME IS--STOP PLAYING THIS

[bleep] GAME.

GAME IS [bleep] OVER, MENA.

EXACTLY.

COME HERE, GIVE ME A KISS.

STOP PLAYIN' GAMES.

>> THAT'S DISGUSTING.

>> I CRINGE WATCHING THIS.

YO, YOU WASN'T CLAIMING ME THE

SAME TIME THIS [bleep] YEAR.

NOW I'M WITH A BITCH THAT MAKES

ME HAPPY--

>> "YOU WASN'T CLAIMING ME.

I HAD TO GO GET THIS STUPID

BITCH TO GET YOUR ATTENTION."

THAT'S THE THEME OF THE [bleep]

SEASON.

I HOPE EVERYBODY UNDERSTANDS

THAT.

>> YOU CAN'T!

YOU CAN'T EVEN PUT ME IN A

SITUATION LIKE THAT.

>> YOU PUT YOURSELF IN THE

SITUATION.

>> THE REALITY IS, YOU DID THIS.

COME HOME.

>> LIKE, THAT'S [bleep] UP.

>> TELL THE BIRD GO HOME.

SEE YOU TONIGHT.

WANT KEYS?

RICHARD DOLLAZ,

LADIES AND GENTLEMEN.

>> SO THIS SCENE WE'RE ABOUT TO

SEE, PETER AND I WENT TO LOOK

FOR AN APARTMENT.

>> NEW PLACE TO MOVE INTO.

HER CRIB JUST AIN'T CUTTIN' IT.

>> OR THIS CAN BE THE KIDS ROOM.

>> IT'S IDEAL FOR A BABY ROOM.

>> BABY?

>> YOUR BABIES.

>> OH, YEAH.

>> OR OUR BABY.

>> WOW.

BABIES.

>> COME ON NOW, PETER.

YOU'RE THE ONE CONSTANTLY WAS

TELLING ME YOU'RE GONNA PUT

A BABY UP IN THERE.

>> AT THIS AGE, PEOPLE,

I'D BE MAKING MY OWN

GRANDCHILDREN.

I DON'T KNOW.

YOU KNOW, WHILE WE WAS INSIDE,

IT KIND OF HIT ME, LIKE,

THE REALITY OF IT IS--

BABIES AND--

>> FOR HIM TO MAKE ME GO OUT

THERE AND, LIKE, GO LOOK FOR

A PLACE AND ALL OF THAT.

>> PULL THAT ON HER RIGHT THEN

AND THERE--THAT WAS WRONG.

I'M SORRY, LOVE.

>> THIS IS WHAT YOU WANTED,

THOUGH.

>> I DO WANT IT, BUT I'M

SAYING, FOR ONCE--

>> YOU MARRIED ME.

YOU SAID THIS--YOU SAID THIS

IS WHAT YOU WANTED.

>> FOR ONCE I WANT TO JUST TAKE

MY TIME.

>> IT'S JUST THE WRONG MOMENT

TO SAY THIS NOW.

>> THAT WAS BIG OF ME TO SAY

THAT, YOU KNOW WHAT I MEAN?

I'M GONNA DO THE RIGHT THING

BY THIS.

I'M A GOOD GUY.

IF YOU REALLY KNEW ME, YOU KNOW

I'M A GOOD GUY.

>> TELL ME WHEN YOU READY,

AND HOPEFULLY I'M STILL GONNA

BE THERE.

>> I'M A HANDSOME DUDE.

YOU MIGHT NOT LIKE ME,

BUT I'M HANDSOME.