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Will Keri Hilson's Shade-Filled Past Harm Her Planned Musical Comeback?

Can the Maleficent of R&B rise above her mean rep?

By Michael Arceneaux

When I told a friend that I would be writing about Keri Hilson’s return to music, she immediately responded with the question, “Who's looking for her to come back?”

Therein lies the issue with the singer-songwriter as she plots a return to music. Like many music writers and bloggers, I received an email announcing Hilson’s return along with a link to two new tracks, “100” and “Scream.” Months prior, the likes of Timbaland teased fans with new works like “Listen.” Around the same time, Hilson herself teased us with audio of “Dinero,” although singer Monica sold the new track far better than she did.

The songs we’ve been teased sound more interesting than what’s come in full, but whatever we do get in terms of a new Hilson album, one wonders whether or not the public cares anymore. “100” and “Scream” were leaked to the Internet in full, but in terms of volume, both generated more of a “hi and bye” than conversation. Whenever Hilson does make an official return to music, she’s got her work cut out for her.